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Reviews

Review: New Faces, New Focus: Stories We Share at Open Eye...

Review: Julia Carter Preston at the Bluecoat

Review: ‘Just come in’: 30 years of Maggie’s Centres at RIBA...

Review: BRB at FACT

Review: New Faces, New Focus at Kirkby Gallery

Review: Transmissions (Part I) Ancestors: Material Matters at Bridewell Studios &...

Review: A Gentle Man (Part II)(1975-2029): Becky Beasley at Bluecoat

Review: Made From Scratch: Celebrating Julia Carter Preston, Ceramicist at Bluecoat...

Review: Close to Home: Mark Storer & Heart of Glass at...

Feature: Hands Around Huyton: Martin Heron takes over Huyton Village

Review: Earth & Sound: Altar Pottery at Gallery 1889

Review: British Glass Biennale 2026, at The World of Glass

Review: Wide-Angle View: Architecture as social space in the Manplan series...

Review: Brian & George Fell, Always Something New at the Atkinson

Review: Leonard McComb: Nature and Humanity at Williamson Art Gallery &...

Review: Making a Mark: Studio Prints at Victoria Gallery & Museum

Review: The Space Between: Liam Bononi at Gallery 1889

Review: Gender Stories at Walker Art Gallery

Review: Sahjan Kooner: (Darkforest) The Zone of Ghosts at FACT

Review: George Hallett: Home and Exile at Exhibition Research Lab

Review: Roaming Britain at RIBA North

Review: Nocturnal Rainbow: Maurice Cockrill at Bridewell Studios & Gallery

Review: Listening All Night in The Rain: John Akomfrah at Walker...

Review: Zahed Taj-Eddin: ANTIQUA at The Atkinson

Review: Back to Our Roots, Chris Shepherd: The Anfield Road Story...

Review: Passage: Frances Carlile at Williamson Art Gallery & Museum

Review: They’ve Got Your Eyes: Rachel Maclean at FACT

Review: (a contemporary) phantasmagoria Paint-Thing at The Cornerstone Gallery

Review: Echo: Julie Dodd at Kirkby Gallery

Review: Immersion: The Royal Gold Medal Exhibition at RIBA North

Review: Self-Defined. New Stories From Archives at Open Eye Gallery

Review: Space Property Access; One Day Exhibition at Granby Winter Garden

Review: Second Edition: Madeleine Calloway Vietmeier at The Royal Standard

Review: Body Clock: Billie Winters at Birch Gallery & Studios

Review: Ed Ruscha, Artist Rooms at TATE Liverpool x RIBA North 

Review: The Portrait Paradox: Adrian Jeans at Williamson Art Gallery &...

Feature: Stephanie Trujillo: Living Lines at Open Eye Gallery

Review: Sarah Jane Richards at Nettle Café

Review: Echoes of the Floating World: Japanese Ukiyo-e Prints and Merseyside...

Review: Steve Des Landes at Williamson Art Gallery & Museum

123...15Page 1 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.