A Tour of Hardmans’ House

A Tour of Hardmans’ House, by Lorraine Bacchus There is something about stepping into a time capsule of recent history that is so much more poignant...

Review: The Female Gaze: Women Depicting Women – dot-art

The majority of visual artists are women, but typically a far smaller fraction than half are exhibited in art museums. On top of that,...

Art Students on Film, John Beck and Matthew Cornford

Art Students on Film by John Beck and Matthew Cornford You can blame the war for art students. At least, in typically flamboyant form, this is...

Review: Press Room – Ciara Phillips at Crosby Library

Review: Press Room, Crosby Library 1-30 March 2019, 10.00-13.00 Monday-Saturday. by Lorraine Bacchus My local library, Crosby, is only a ten-minute walk from my flat, which is...

Review: Painting Nature by Elaine Preece Stanley at Editions

It is on an unusually bright and sunny February morning that I decide to venture on the short walk from my apartment to Cook...

Review: Op Art in Focus, Tate Liverpool

Tate Liverpool’s exhibition Op Art in Focus is an assault on the senses. Involving paintings and sculptural work which span the walls and floors,...

Review: Light Blue, at The Royal Standard

Sometimes you forget you missed your inner child, until an exhibition brings it out of you. Light Blue did that for me. Light Blue questions...

Review: She’s Eclectic – Women Artists of the VGM Collection

In the short time I have been living in Merseyside, I have already established a routine of popping into the Victoria Gallery & Museum...

A Tour of Hardmans’ House

A Tour of Hardmans’ House, by Lorraine Bacchus There is something about stepping into a time capsule of recent history that is so much more poignant...

Review: The Female Gaze: Women Depicting Women – dot-art

The majority of visual artists are women, but typically a far smaller fraction than half are exhibited in art museums. On top of that,...

Review: Press Room – Ciara Phillips at Crosby Library

Review: Press Room, Crosby Library 1-30 March 2019, 10.00-13.00 Monday-Saturday. by Lorraine Bacchus My local library, Crosby, is only a ten-minute walk from my flat, which is...

Review: Painting Nature by Elaine Preece Stanley at Editions

It is on an unusually bright and sunny February morning that I decide to venture on the short walk from my apartment to Cook...

Review: Op Art in Focus, Tate Liverpool

Tate Liverpool’s exhibition Op Art in Focus is an assault on the senses. Involving paintings and sculptural work which span the walls and floors,...

Review: Light Blue, at The Royal Standard

Sometimes you forget you missed your inner child, until an exhibition brings it out of you. Light Blue did that for me. Light Blue questions...

Review: She’s Eclectic – Women Artists of the VGM Collection

In the short time I have been living in Merseyside, I have already established a routine of popping into the Victoria Gallery & Museum...

Review: Here & Now, at Open Eye

Review: Here & Now, at Open Eye Gallery (2019) Open Eye Gallery, 19th February (event finished) Words & Images, Michelle Pratt Open Eye Gallery’s collaborative pop-up exhibition,...

Art Students on Film, John Beck and Matthew Cornford

Art Students on Film by John Beck and Matthew Cornford You can blame the war for art students. At least, in typically flamboyant form, this is...

Interview: Martin O’Brien, on Until the Last Breath is Breathed

Interview: Martin O’Brien, on Until the Last Breath is Breathed and making work about living with cystic fibrosis Interview by Joanie Magill Martin O’Brien is a live artist...

The power of print; Heart of Glass and Kate Hodgson in...

The power of print Heart of Glass and Kate Hodgson in conversation, on their Independents Biennial collaboration Liverpool/St Helens-based artist Kate Hodgson believes in the power...

Featured Artist: Brendan Lyons

Featured Artist: Brendan Lyons Interview by Ian Fallace Pictures by Fiona Filby Brendan Lyons is a painter who has exhibited for many years producing stand alone and...

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista Interview by Joanie Magill, Independents Biennial Writer-in-Residence On 11 August, Sylvia Battista performed Persephone, a spoken...

Conversations with Independents Biennial artists: Faith Bebbington

Conversations with Independents Biennial artists: Faith Bebbington Interview by Joanie Magill, Independents Biennial Writer-in-Residence “I want my work to be outside on the street.” Faith Bebbington’s large...

Why do you share photographs? (Snapshot to WeChat)

Why do you share photographs? (Snapshot to WeChat) Ahead of Open Eye Gallery’s next major exhibition, exploring identity and networks and the influence social media...

Interview with The Serving Library’s Stuart Bertolotti-Bailey for Art in Liverpool

If you are looking for a quick read, try the shortened version of events here. The interview that follows is with Stuart Bertolotti-Bailey no behalf...

Why #writecritical?

Words by Sue Flowers Much has been written about the visual arts over the last few centuries, maybe as a way of defining it, by attempting...

REALITY at the Walker Proves Painting is Still Relevant

Words by Alice Benbow Reality: - the status of things as they actually exist, as opposed to an idealistic or notional idea of them; having...

Discovering Liverpool Central Library & Williamson Art Gallery

Discovering Liverpool Central Library & Williamson Art Gallery by Lorraine Bacchus One of the most challenging aspects of being an artist is putting the work out...
Double Act: Art and Comedy, Belfast

Double Act: Art and Comedy at the MAC, Belfast

I hopped on a plane to Belfast to visit Double Act: Art and Comedy. The exhibition, curated by David Campbell and Mark Durden, is twinned with an exhibition of the same name at Bluecoat. It shows a different story entirely to the one I visited on School Lane, Liverpool.

Season’s Greetings and some notices from ArtinLiverpool

We wish you all a Merry Christmas and a Wonderful Arty New Year.
Daily Sketcher

Interview with The (Still Anonymous) Daily Sketcher

"The idea of the project has always been to try bring a little cheerfulness into the world. I have found that more and more we're isolated in society and just wanted to try create a thread of happiness within it."