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Wednesday, December 6, 2023
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Features
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Magazine Archive
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Features
Features
Features
Planting Change: The Waiting List – An Artistic Manifesto for a just food system
admin
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November 6, 2023
0
Features
An interview with Uma Breakdown
Patrick Kirk-Smith
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November 6, 2023
0
Reviews
Review: Tim Spooner’s New Kind of Animal at Bluecoat
Patrick Kirk-Smith
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November 6, 2023
0
Reviews
Review: A Place of Our Own at Open Eye Gallery
admin
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November 6, 2023
0
Reviews
Review: Brendan Lyons’ Mixtape at Bridewell Studios and Gallery
admin
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November 6, 2023
0
Features
Feature: Tate Liverpool moves in with RIBA North until 2025
Patrick Kirk-Smith
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November 6, 2023
0
Features
Editorial: Art in Liverpool, issue #36, November 2023
Patrick Kirk-Smith
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November 6, 2023
0
Reviews
Review: Abstract Thinking: Fanchon Fröhlich & Her Contemporaries at Victoria Gallery & Museum
Patrick Kirk-Smith
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November 6, 2023
0
Reviews
Feature: Wild Whispers & Up Deva! at Chester Contemporary
admin
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November 6, 2023
0
Features
The Ballad of Ray & Julie, Jeff Young
admin
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October 12, 2023
0
Features
Interview: Alok Nayak, CEO & Artistic Director of Milap and Indika
admin
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October 12, 2023
0
Features
21-years of arts and culture: Emma Smith, Director of Liverool Irish Festival, shares plans and hopes for this year’s programme.
admin
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October 12, 2023
0
Reviews
Review: John Moores Painting Prize 2023
admin
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October 12, 2023
0
Reviews
Review: Evocation, at Avenue HQ & Elevator Studios
admin
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September 21, 2023
0
Features
Feature: The LAKE Gallery’s Birthday
admin
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September 21, 2023
0
Reviews
Review: Imagine Bamboo is Everywhere
admin
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September 21, 2023
0
Reviews
Review: Creatures of the Psyche, at Bridewell Studios & Gallery
Patrick Kirk-Smith
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September 20, 2023
0
Reviews
Review: Dan O’Dempsey, Karesansui, at the Royal Standard
Patrick Kirk-Smith
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September 20, 2023
0
Reviews
Review: The Drawing (Paper) Show at Bridewell Studios
admin
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August 8, 2023
0
Reviews
Review: Rob Davies’ Watercolours at Williamson Art Gallery & Museum
admin
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August 8, 2023
0
Reviews
Review: Tatton Park Flower Show 2023
admin
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August 8, 2023
0
Reviews
Review: Jon Gale’s Green Myths at Cass Art
Patrick Kirk-Smith
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August 8, 2023
0
Reviews
Review: Rabbit Holes in the Playing Field, Maeve Thompson at The Royal Standard
admin
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August 8, 2023
0
Features
Editorial: Art in Liverpool issue #33, August 2023
Patrick Kirk-Smith
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August 8, 2023
0
Featured Artist
Feature: Joy Clarke and the Beauty in the Overlooked
admin
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July 21, 2023
0
Featured Artist
Feature: Niamh Rowlands and The Real Housewives of Beverly Hills
admin
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July 21, 2023
0
Reviews
Review: Liverpool Biennial 2023
Patrick Kirk-Smith
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July 10, 2023
0
Reviews
Review: Andrew Small & Fiona Stirling at The Egg Cafe
admin
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July 10, 2023
0
Reviews
Review: How to Wear High Heels, Xanthe Tilzey and Elisa Sallis at The Royal Standard
admin
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July 10, 2023
0
Reviews
Review: Gordon Cheung at The Atkinson
admin
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July 10, 2023
0
Reviews
Review: The Story of Paris
admin
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July 10, 2023
0
Reviews
Review: Fleece: Flow, by Sian Hughes at Bridewell Studios
Patrick Kirk-Smith
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July 10, 2023
0
Reviews
Review: Louise Waller at Victoria Gallery & Museum
Patrick Kirk-Smith
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July 10, 2023
0
Features
Editorial: Art in Liverpool issue #32, July 2023
Patrick Kirk-Smith
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July 10, 2023
0
Reviews
Review: University of Chester Art and Design Degree Show 2023
admin
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June 26, 2023
0
Reviews
Review: Hot Bed Press 20:20 at Hazlehurst Studios
admin
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June 20, 2023
0
Reviews
Review: Unfurled: Encounters with Artists’ Books, Grosvenor Museum
admin
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June 20, 2023
0
Reviews
Review: dot-art: Around The World In Black & White
admin
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May 3, 2023
0
Reviews
Review: Victoria Gallery & Museum: LINDA STEIN: Gender Scrambling
Patrick Kirk-Smith
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May 3, 2023
0
Reviews
Review: Chila Kumari Singh Burman’s Merseyside Burman Empire, at FACT
Patrick Kirk-Smith
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May 3, 2023
0
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