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Artinliverpool Logo - Independent Arts & Culture Listings Site for Liverpool Region
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Features

Interviews, Reviews, Photo Diaries and original work from artists and galleries around Merseyside and the Liverpool City Region.

View through black-barred window, set back into mauve wall. the window looks out on to the river Mersey on a grey day, with a brick building in the foreground.

Review: JMW Turner with Lamin Fofana at Tate Liverpool

Review: Ean Flanders’ The Descendants, at the Victoria Gallery & Museum

View from black barred window on the second floor of Tate Liverpool, looking out over a grey Mersey over brick buildings. Liver building in the background.

Editorial: Art in Liverpool Issue #29, April 2023; A Potted History...

Curator’s Thoughts: Laura McCann on Severus Heyn

Curator’s Thoughts: Laura McCann on the new Drink or Draw Exhibition...

Review: Night at the Poseum… at World Museum

Review: Ali Hunter’s Quarinteriors at Egg Cafe

Review: Future Ages Will Wonder, at FACT Liverpool

Kiln Fired Ecologies: Evocations of Natural Forms in the Works of...

Review: Lucy McKenzie at Tate Liverpool

Art in Liverpool, issue #25, November 2021 – Editorial

Review: Gold Maria Akanbi: BlackFest at The Royal Standard

The Self and Text: The Importance of Language Within Confessional Artwork,...

Review: Uncertain Data: a brief meditation at FACT

The Self and Text: The Importance of Language Within Confessional Artwork,...

Pause for Living, Roxy Topia & Paddy Gould; An exhibition at...

Review: Walter Sickert at Walker Art Gallery

Review: Space is The Place, Patric Rogers & Angelo Madonna at...

Review: Emily Speed: Flatland at Tate Liverpool

Art in Liverpool, issue #25 – Editorial

Emily Fairchild, Private Press: An Exploration of Medieval Influence in the...

Review: Very Public Art

Review: Challenging Histories, International Slavery Museum

Review: Jon Edgley, On the Bright Side at Convenience Gallery

Review: One Day at a Time Boys, Dead Pigeon Gallery

Art in Liverpool, issue #24 – Editorial

Critical (on Funding)

Review: Jessica El Mal, Grounds for Concern (Liverpool Arab Arts Festival)

Review: Public Service Announcement

Art in Liverpool issue #23, August 2021 – Editorial

Independents Biennial 2021, in hindsight

Review: Lucian Freud & Louise Bourgeois at Tate Liverpool

Review: John Moores Painting Prize 2020

Review: Aliza Nisenbaum at Tate Liverpool

Review: Peace Doves by Peter Walker, at Liverpool Cathedral

Review: Rui Matsunaga at The Atkinson

Review: Liverpool Biennial 2021 (part 2)

Lockdown Treasures: The Baltic Triangle (Part 3)

Lockdown Treasures: The City Centre (Part 2)

Review: Liverpool Biennial 2021

1...678...30Page 7 of 30

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.