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Features

Interviews, Reviews, Photo Diaries and original work from artists and galleries around Merseyside and the Liverpool City Region.

Interview: Alok Nayak, CEO & Artistic Director of Milap and Indika

21-years of arts and culture: Emma Smith, Director of Liverool Irish...

Review: John Moores Painting Prize 2023

Review: Evocation, at Avenue HQ & Elevator Studios

Feature: The LAKE Gallery’s Birthday

Review: Imagine Bamboo is Everywhere

Review: Creatures of the Psyche, at Bridewell Studios & Gallery

Review: Dan O’Dempsey, Karesansui, at the Royal Standard

Review: The Drawing (Paper) Show at Bridewell Studios

Review: Rob Davies’ Watercolours at Williamson Art Gallery & Museum

Review: Tatton Park Flower Show 2023

Review: Jon Gale’s Green Myths at Cass Art

Review: Rabbit Holes in the Playing Field, Maeve Thompson at The...

Editorial: Art in Liverpool issue #33, August 2023

Feature: Joy Clarke and the Beauty in the Overlooked

Feature: Niamh Rowlands and The Real Housewives of Beverly Hills

Review: Liverpool Biennial 2023

Review: Andrew Small & Fiona Stirling at The Egg Cafe

Review: How to Wear High Heels, Xanthe Tilzey and Elisa Sallis...

Review: Gordon Cheung at The Atkinson

Review: The Story of Paris

Review: Fleece: Flow, by Sian Hughes at Bridewell Studios

Review: Louise Waller at Victoria Gallery & Museum

Editorial: Art in Liverpool issue #32, July 2023

Review: University of Chester Art and Design Degree Show 2023

Review: Hot Bed Press 20:20 at Hazlehurst Studios

Review: Unfurled: Encounters with Artists’ Books, Grosvenor Museum

Review: dot-art: Around The World In Black & White

Review: Victoria Gallery & Museum: LINDA STEIN: Gender Scrambling

Review: Chila Kumari Singh Burman’s Merseyside Burman Empire, at FACT

Feature: Will Pollock, and his Appetite for the Absurd

Review: Flower Fairies, Lady Lever

Review: 1.5 Degrees, by Sweat the Small Stuff

Review: Stephen Clarke’s Alien Resident: Under Investigation, at Ropes & Twines

Review: The Royal Standard: Conversations with Painting

Editorial: Art in Liverpool Issue #30, May 2023

Download Art in Liverpool issue #29

View of a gallery with glazed panel walls. Canvases hang from the ceiling, and a display table sits in the centre of the room. Against the wall in the foreground are rows of canvases leaning against the wall.

Review: Fanchon Fröhlich, The Wrong Sex at Exhibition Research Lab

Leather panel, carved into lino-print style forms. Grey-blue background, spotted with black texture, sites behind a pink and earthen coloured foreground showing rocks and heathland.

Review: Bluecoat Display Centre’s Spring Display

Black-framed painting of two figures in a woodland, looking over a shallow hole filled with a variety of old bones. Their clothes are collaged. Behind a tree in the mid-ground, a child stands waiting.

Review: Kathryn Maple, Under a Hot Sun at Walker Art Gallery

1...567...30Page 6 of 30

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.