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Reviews

Review: Haegue Yang’s surreal escape at Tate Liverpool

Water deserves more credit. Aurora shows us why.

Review: Sean Scully at Walker Art Gallery

Review: New Brighton Revisited – Martin Parr, Ken Grant, Tom Wood

Preview: Leonardo Da Vinci: a Life Drawing

Reivew: So’Maal: Wonders of the World (IB18)

Gary Sollars’ First Solo Exhibition Goes One Way

Review: Tom Wood & Cian Quayle at The Williamson

Review: “#67, lapis lazuli springs from rusting iron and blue to...

New Brighton Revisited through the lens of three of its most...

Review: Woodman and Schiele, on the anniversaries of their deaths

Art of Football: World Cup 2018 through the eyes of artists

Review: ‘Voices from the Hub’ at Open Eye Gallery

Review: OPAVIVARÁ! Utupya at Tate Liverpool

Review: Museum of the Moon, at Liverpool Cathedral

Review: Euphonia: Emma Smith at Bluecoat

Review: FRANKENSTEIN 2018, The Liverpool & Knowsley Book Art Exhibition  

Review: TIME TUNNEL, Launch of the Fabric District Vision 2018

Review: It Will Never Work: 25 Years of Urban Splash

Review: Caroline Coon: The Great Offender

Review: Mellor & Rose, Modern Calligraphy

Review: People Like Us: the Mirror (FACT at 15)

Review: Contrast Mural Festival

Review: Dementia Connect – Hidden Voices at FACT

Review: Ken’s Show: Exploring the Unseen

unfold by Ryoichi Kurokawa, at FACT, 2016. Photo by Brian Slater - fact at 15

(P)review: Fact at 15

Preview: The Art of Reggae 2018, interview with Rory Taylor

Review: Hands of History +20

Review: Viking: Rediscover the Legend

Review: Positions of Power, Disparity Collective

Review: States of Play: Roleplay Reality at FACT

Review: John Moores prizewinners at Walker Art Gallery

Review: Kaleidoscope: Colour and Sequence In 1960s British Art

Review: From Warhol to Walker, at The Atkinson

Review: Bluecoat: In the Peaceful Dome

Review: Slaves of Fashion: New Works by The Singh Twins

Review: Trapped in the Image: West Kirby Arts Centre

Review: Presence: A Window into Chinese Contemporary Art

Review: Terracotta Warriors

Review: Where Things are Different, Stephen King

1...789...15Page 8 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
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No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

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This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

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