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Reviews

Review: Women at Work at Bridge Cottage

Review: Onomatoposter at Future Yard

Review: Discreet Discrete, Brendan Lyons at Bridewell Studios & Gallery

Review: Ed Ruscha, Artist Rooms at Tate Liverpool

Review: Can Meeple Escape The Neurophoria at FACT

Review: LOOK Climate Lab 2026: Open Eye Gallery’s climate biennial

Preview: Where Artists and Texts Meet: Liverpool Book Art at LJMU...

Review: K-Queer: Intimacies of the Invisible at The Royal Standard

Review: A Gentle Man: Retrospective of Kenneth O’Hare at Bridewell Studios...

Review: Sacred Memory Bank: Mike Badger & Jeff Young at Kirkby...

Preview: SHIFT: Artist-Led St Helens at Street & a Half

Review: Turner: Always Contemporary at Walker Art Gallery

Review: Ken Horton at the Cornerstone Gallery

Review: Trinity Buoy Wharf Drawing Prize at Williamson

Preview: Unearthed: Knowsley’s Food & Farming Heritage at Kirkby Gallery

Review: Liverpool City Region Photography Awards

Review: The Sweet Factory at The Atkinson

Review: NEXT UP at Open Eye Gallery

Review: Bassam Issa Al-Sabah: The Mission is the End, The End...

Review: Lou Miller: We Dream of Our Freedom at Bluecoat

Review: Firehawks at Open Eye Gallery

Review: Hill Station at RIBA North

Review: Silence is Broken at Elevator Studios

Review: Just Browsing at Bluecoat

Review: Made on Merseyside 2 at Kirkby Gallery

Review: John Moores Painting Prize 2025

Review: Celebrating Irish Makers at Bluecoat Display Centre

Review: Helen Anna Flanagan & Gavin Gayagoy at FACT

Review: Un/Earthed – A Retrospective by Landlines Studio at Williamson Art...

Review: For Your Pleasure: 15 Years of DuoVision at Open Eye...

Review: Safe Zone by Christopher Kulendran Thomas and Free to Choose...

Review: Di Mainstone’s Subterranean Elevator at Williamson Art Gallery & Museum

Review: Drudenhaus Collective at Bridewell Studios & Gallery

Review: The Plant that Stowed Away at Tate Liverpool + RIBA...

Review: 21st Knowsley Open Art Exhibition at Kirkby Gallery

Feature: Little Vintage Photography

Review: But Does it Speak? at Bluecoat

Review: Material Matters: Into The Wyld, Spirituality at Williamson Art Gallery...

Review: Ruth Molliet’s FOFO at The Atkinson

Review: Farah Al Qasimi: Everybody was Invited to a Party (2018)...

123...15Page 2 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

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