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Reviews

Review: Aftermath Dislocation Principle, Jimmy Cauty

Review: Liverpool Biennial 2016: Arseny Zhilyaev, Last Planet Parade

Review: Liverpool Biennial 2016: Assemble/Granby Workshops

Review: Mark Wardel, Wild Mutation at The Gallery Liverpool

Review: Liverpool Biennial 2016 at Cain’s Brewery

Koki Tanaka

Review: Liverpool Biennial 2016: Flashback & Children’s Episodes at Open Eye

Georgia Lucas-Going, TOO MANY FEELINGS, 2016

Review: Bloomberg New Contemporaries at Bluecoat

Review: Liverpool Biennial 2016: Rita McBride at Toxteth Reservoir

REVIEW: Liverpool Biennial 2016: Ancient Greece at Tate Liverpool

Liverpool Biennial Launch, photo by Tony Knox

Review: Liverpool Biennial 2016 at ABC Cinema

Car Park Space, RCA

Review: Biennial Fringe: Telling Tales at the Car Park Space

Michael Portnoy, Relational Stalinism: The Musical, 2016. 9 July 2016 at the Black-E, as part of Liverpool Biennial 2016. Photo: Rob Battersby

Reviews: Liverpool Biennial: Michael Portnoy, Relational Stalinism – The Musical

Liverpool Biennial Launch, photo by Tony Knox

Liverpool Biennial 2016, a first impression

The Jam, About The young Idea

Review: The Jam – About The Young Idea at the Cunard...

Di-Andre C. Davies, Breakfast, Lunch and Dinner V2, courtesy the artist

Review: Di-Andre Caprice Davies and Leasho Johnson, Jamaican Pulse at Bluecoat

Review: Summer Arts Market at St George’s Hall

Review: Crafted at Kirkby & Huyton Gallery

Nicole Bartos at Domino Gallery

Review: Colour Rhymes and lyrical parallels at Domino Gallery

Naomi Munou, Jo Sweeting and Pauline Hughes

Review: #Threeform at Editions

Picasso Linocuts

Review: Picasso Linocuts from the British Museum at Lady Lever Gallery

Body Image, The Brindley

Review: Body Image at The Brindley

Double Act: Art and Comedy, Belfast

Double Act: Art and Comedy at the MAC, Belfast

without these walls

Review: 2nd Heseltine Institute Lecture, Without These Walls

Review: Metal Presents: Beach Huts

Double Act: Art and Comedy

Review: Double Act: Art and Comedy Tour by Frances Greenfield

L for Leather

Review: L for Leather at Bluecoat Display Centre

LJMU Degree Show 2016

Reviews: LJMU Degree Shows 2016

Liverpool Hope Degree Show 2016

Reviews: Liverpool Hope Degree Shows 2016

Review: Sketchsperiment at Road Studios for Light Night

Review: 1 Minute: Vol. 3-9 at A Small Cinema for Light...

Review: The Dark Side of Light Night at 104 Duke Street

Review: Ella Kruglyanskaya: Methods of Display at Tate Liverpool

Review: Omphalos at Invisible Wind Factory

Review: Maria Lassnig at Tate Liverpool

Review: Francis Bacon at Tate Liverpool

Review: Liverpool Open 2016 at Editions Ltd

Review: Afro Supa Hero at International Slavery Museum

Colour Fall - Arena, photo by artinliverpool

Review: Liverpool Light Night 2016

Liverpool Biennial 2016 – Patrick Kirk-Smith Reviews the Programme Launch

A Small View: Got Worms? – by Roxy Topia and Paddy Gould

Review: Roxy Topia and Paddy Gould: Got Worms? at A Small...

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

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  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

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This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

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