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Features

Interviews, Reviews, Photo Diaries and original work from artists and galleries around Merseyside and the Liverpool City Region.

Review: Liverpool Inspiration: A Photography Exhibition by David Lydiate

Review: The White Pube, 💧🌚👼🏾

Hidden Gems Feature: The Florrie Gets Art Curator

Review: R Jackson’s & Sons, One Fifty Gallery

Review: Remnants at Road Studios

REVIEW: I-deNt-iTy, David Holah

Review: Lucy Beech, Pharmakon at FACT

Hidden Gems Feature: Enter Through the Newsagents

Featured Artist: 10 Years of Glacial Art

Review: Carter Preston Prize at Bluecoat Display Centre

Tour: Liverpool Biennial 2016: Public Works, an unofficial guide

Review: Krzysztof Wodiczko at FACT for Liverpool Biennial 2016

Review: The Oratory: Liverpool Biennial 2016

Review: Paul Romano at Editions Ltd

Hidden Gems Feature: Translating the Street with Alternator

Review: AEROSOL at dot-art

Featured Artist: Franko B

Review: basement present, ‘basements connected’

Preview: Basements Connected, at Basement Projects

Review: It’s All About Me, Darling, Nick Hugh McCann at The...

Hidden Gems Feature: A Bit Past The Blackstuff

Featured Artist: Nick Hugh McCann

Review: Suzanne Treister HFT: The Gardener – Liverpool Biennial 2016

Hidden Gems Feature: What’s Up Dock?

Review: Aftermath Dislocation Principle, Jimmy Cauty

Review: Liverpool Biennial 2016: Arseny Zhilyaev, Last Planet Parade

Review: Liverpool Biennial 2016: Assemble/Granby Workshops

Review: Mark Wardel, Wild Mutation at The Gallery Liverpool

Review: Liverpool Biennial 2016 at Cain’s Brewery

Koki Tanaka

Review: Liverpool Biennial 2016: Flashback & Children’s Episodes at Open Eye

Georgia Lucas-Going, TOO MANY FEELINGS, 2016

Review: Bloomberg New Contemporaries at Bluecoat

Review: Liverpool Biennial 2016: Rita McBride at Toxteth Reservoir

REVIEW: Liverpool Biennial 2016: Ancient Greece at Tate Liverpool

In Pictures: Liverpool Biennial 2016 at Cains Brewery

Featured Artist: Marvin Gaye Chetwynd for Liverpool Biennial 2016

Liverpool Biennial Launch, photo by Tony Knox

Review: Liverpool Biennial 2016 at ABC Cinema

Car Park Space, RCA

Review: Biennial Fringe: Telling Tales at the Car Park Space

Dave Sinclair. Youth Training Scheme Protest, Liverpool, 25 April 1985 © Dave Sinclair

Liverpool Biennial 2016: The oddly exciting politics

Michael Portnoy, Relational Stalinism: The Musical, 2016. 9 July 2016 at the Black-E, as part of Liverpool Biennial 2016. Photo: Rob Battersby

Reviews: Liverpool Biennial: Michael Portnoy, Relational Stalinism – The Musical

Liverpool Biennial Launch, photo by Tony Knox

Liverpool Biennial 2016, a first impression

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.