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Features

Interviews, Reviews, Photo Diaries and original work from artists and galleries around Merseyside and the Liverpool City Region.

Review: The Female Gaze: Elizabeth Brownsword and Lois Tierney

A year’s worth of culture in one summer

Photostories: What’s Yours?

Review: Sprung a Leak – Cécile B. Evans, Tate Liverpool

Review: Art of Solidarity: Cuban posters for African liberation

Review: Open Eye at 40 – NORTH: Identity, Photography, Fashion

What to expect from 2017

Hato and Childwall Sports & Science Academy, Hello Future Me, 2016. Commissioned by Liverpool Biennial in partnership with Arriva. Photo: Gareth Jones

2016 Round Up

Review: DaDaFest: Alba by Jo Bannon

Review: Joseph & Ivy Hulme at Surtsey Projects

Review: Michael Lacey: A Hole, A Mountain

Review: Auto Agents, AaA Collective

Interview: Bryan Biggs, on Bluecoat’s 300th anniversary

Review: Collaboration: Out of the Blue, the story so far

Review: Walter Keeler at Bluecoat Display Centre

Review: Can I Start Again Please, DaDaFest at Unity Theatre

Review: Constellations and Tate Exchange Liverpool

Review: Craig Davison, Avengers Resembled

Review: Will Self: The Roy Stringer Memorial Lecture

Review: No Such Thing As Gravity, FACT

Review: Nick Leassing and Nahum Matra at FACT

Review: Alice May Williams, Speke of the Future

Review: Benedict Drew, KAPUT

Review: Looking North, through the Arts Council Collection

Feature: Make Liverpool

Featured Artist: Liz Wewiora, Culture Shifts

Review: Edward Krasinski at Tate Liverpool

Review: Keith Piper, Unearthing the Banker’s Bones

Feature: Coming Home, working on Liverpool

Review: Jerwood Photoworks Awards

November Film Roundup

Review: Keywords for Dummies: Intellectual Property

Review: North West Fashion Festival 2016

Review: Jarman Awards 2016 at FACT

Review: Dip at Crown Building Studios

Review: Kelly Hayes: The Image Affect

Review: Yves Klein, Tate Liverpool

Review: Gifts for the Gods: Animal Mummies Revealed

Review: Ed Bruce, Stations Ends

Review: Sleeping Giants: Theories of Sleep in Art, Liverpool Biennial 2016

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

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