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Artinliverpool Logo - Independent Arts & Culture Listings Site for Liverpool Region
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Features

Interviews, Reviews, Photo Diaries and original work from artists and galleries around Merseyside and the Liverpool City Region.

Review: Jasmir Creed, Dystopolis at the VGM

Between You and Me, Everything Else is Different; Review: Leo Fitzmaurice...

Four Words: Future Alan Dunn’s Channel 4 takeover. Catch up on...

Art in Liverpool Magazine, issue #11: January 2019 Editorial

Review: Moon Kyungwon and Jeon Joonho, News from Nowhere

Review: Knowsley Book Art; Liverpool Book Art’s graduation, 2018

Review: Fernand Léger at Tate Liverpool

Interview: Martin O’Brien, on Until the Last Breath is Breathed

Review: Broken Symmetries

Rarely heard voices; how the women of St Helens provoked a...

Art in Liverpool Magazine, issue #10: December Editorial

Book review: Post-it: Independents Biennial Writers-in-Residence 2018

Ideas Depot; where art isn’t part of the curriculum. It’s all...

Review: It’s The Travelling Life; an exhibition based on fact, by...

Independents Biennial, a diary

Review: Liverpool Biennial 2018

Preview of Broken Symmetries, a collaboration between FACT & CERN

Experience Independents Biennial 2018’s Discordia Exhibition in 360

Conversations with Independents Biennial artists: Paul Mellor and John Elcock

Interview with Independents Biennial artist Alice Lenkiewicz

What happened at Tate Exchange? Network yourself.

Review: Test! The programme of trial and error taking chances for...

Preview: Dragons of the Pool, coming later this month to Arts...

Review: Smoke and Fire at Bridewell Studios

The power of print; Heart of Glass and Kate Hodgson in...

Farewell Victoria Street; a sad goodbye to a cultural hub, and...

Art in Liverpool Magazine: Issue #8, 2018 – Editorial

Featured Artist: Brendan Lyons

Interview with Kiara Mohamed for Humanscape, Independents Biennial 2018

Conversations with Independents Biennial artists: Danielle Waine

Conversations with Independents Biennial artists: Ali Harwood

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madiha Aijaz

How Liverpool’s Metropolotian Cathedral grew new limbs. Ryan Gander’s Liverpool Biennial...

Review: Haegue Yang’s surreal escape at Tate Liverpool

Water deserves more credit. Aurora shows us why.

Art in Liverpool Magazine: Issue #8, September 2018 – Editorial

Mersey or Huangpu? Liverpool or Shanghai? Chapter Two of China Dream

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista

Conversations with Independents Biennial artists: Faith Bebbington

Conversations with Independents Biennial artists: Stephanie Carr

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.