Nice review by Richard Cork in the New Statesman of the Richard Wentworth exhibition at Tate Liverpool. But, he reckons that the plates on top of the grand piano “have all been glued together by an artist bent on retrieving wonder from the wreckage of everyday existence.” It looked to me like the plates hadn’t been broken at all but the cracks had been realistically painted on. I’ll have to go and have another look!
New Statesmen review of Wentworth
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