Groundbreaking installation giving space to experiences of suicide, to be shared and explored in Liverpool

A ground-breaking installation exploring stories and the impact of suicide is to open in Liverpool’s  historic Cunard Building next week. 

Built upon lived and living experience of thoughts of suicide, suicide attempts, and of  bereavement by suicide, it has been created by award-winning artist Mark Storor as an integral  part of the collaborative arts project, The Suicide Chronicles. 

Taking place between 5 September and 10 October 2026, including World Suicide Prevention  Day (10 Sept) and World Mental Health Day (10 Oct), Close to Home has been developed in  collaboration with Merseyside-based community arts organisation Heart of Glass, as an artistic  space of contemplation, inviting audiences into a space of action, reflection and quiet assembly.  

Close to Home brings together more than seven years’ work by Mark Storor, in collaboration with  communities and individuals across England, Ireland and Wales with experience of suicide.  Mark’s innate ability to depict personal stories and experiences through art, has created a  philosophical space that attempts to express and articulate the unsayable around an issue that  often exists in silence. 

Patrick Fox, CEO of Heart of Glass, said: “When we started the project with Mark in 2018, we had  no expectation of how long it would last or where it would take us. We quickly realised after the  first Chronicle this was an artistic interrogation we had to carry forward to encompass as many  voices and experiences as possible, to give them the time and space to be seen and heard. 

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Chronicle Two: Stand Firm Compassion, Bold Refuge, Loyal Gentle Spirit, Image: Stephen King

“The impact of suicide on individuals, families and communities is something that affects many  people across the world and remains an important and often difficult subject for us to engage with  collectively. Through each of the six Chronicles we’ve worked with 50 people who have been  impacted by suicide, and with research showing that one suicide can impact approximately 135  people, it’s a heartbreaking statistic. Each Chronicle or ‘chapter’ is uniquely defined by the  experience of the individuals who made them and the time in which they were made. While they  are different in content, they speak to each other collectively to give form to the infinitely complex  and multi-layered nature of bereavement by suicide. The seventh chapter is Close to Home.” 

Heart of Glass originally commissioned Mark to develop a project that would examine some of  the difficult and challenging questions resulting from the impacts of suicide: In a world which  demands action and reaction, what does it mean to contemplate, to give ourselves over to time,  to listen, to make sense together? 

At the time of commission in 2018, St Helens had the highest suicide rate in England and Wales,  and the Suicide Chronicles project was born in response to the many stories of loss. St Helens  was a town prepared collectively to address this, to find a language and a model of practice that  did not exist, allowing Mark to work with the individuals in the local community and beyond using  collaborative arts methodologies to address what is happening in our society.  

Through the Chronicles he has brought together multiple experiences of suicide, including those  of women bereaved by the suicide of their partners; of farmers with respect to their relationship to  the land, and of the high rate of suicide amongst them. There are stories told from  intergenerational perspectives of the impact of teen suicide on a community, and insight into the  experiences of first responders on the front line of suicide.  

Mark’s process of co-creation and collaboration has developed a multifaceted residency in the  Cunard Building’s Arrivals Hall, which will be transformed into a beautiful theatrical environment  that people can explore at their own pace, encountering a series of installations, film works,  spoken work pieces and photographic displays. Each work is particular; poignant, vivid and  truthful, shining light on individuals’ stories, while acknowledging and honouring the experiences  of those we have lost.

Mark Storor said: “Close to Home will bring all six Chronicles into one space, addressing  together, for the first time, what is happening in our communities as the result of suicide. The  courage to meet the stark realities of suicide head on began in St Helens and gained momentum;  a ripple effect generated through the numerous stories I am humbled to have had shared with  me.  

Chronicle Seven: Close To Home, Photo Stephen King

“It’s the journey we’ve been on, the people we’ve met and worked with, the years that have  passed, and the moments that have led to the here and now. It’s a contemplation, a philosophical  space, an exploration, an interrogation, and it’s as much about life as it is about death. Visitors  will be able to explore their relationship with self, with one another, with those across the world,  hopefully to value what fundamentally connects us all as humans. I hope that those who have  been impacted by suicide will gain a strength from collectively witnessing together the stories of  others and understand that art can have a role in all our lives for gaining renewed outlook, relief,  strength and remembrance.” 

Over six weeks, The Suicide Chronicles will be in residence at the Cunard Building, bringing  together films, photographs, sculptures, poetry and music that have emerged from this long-term  shared creative process. Audiences will be invited to spend time with the artworks, to witness  each person’s story and to bring their stories too, reflecting on the impact of suicide on individuals  and communities, and the shared human experiences of grief, care and connection.  

During its residency the Chronicles will evolve further through a programme of performances and  conversations with guests, along with holding space for city-wide conversations, and access to  support for those that need it to form a legacy beyond the display of Close to Home, from which  to learn, reflect, connect and reach out for help when needed. 

Close to Home has been made possible with funding from Arts Council England, Esmée Fairbairn  Foundation and Paul Hamlyn Foundation, and is presented in partnership with Liverpool City  Council, Culture Liverpool and Public Health Liverpool. 

Liverpool City Council’s Cabinet Member for Health, Wellbeing and Culture, Councillor Harry  Doyle, said: “Culture Liverpool and Public Health Liverpool are proud to be partnering with Heart  of Glass on this important and poignant project. 

“Suicide remains a public health priority for Liverpool and our prevention work continues to grow,  but the fact that we still don’t talk openly about suicide and it remains a “taboo” subject is one of  the biggest challenges in our work. 

“By collaborating with partners on projects like Close to Home, we can use the power of art and  culture to break down barriers and bring our communities together to learn and reflect, create  space for important conversations, and provide access to support for those that need it. 

“Talking about mental health and suicide can be difficult, but it’s one of the most important things  we can do – research shows that open conversations can raise awareness, break down stigma,  encourage people to seek help, and support their wellbeing.

“We are committed to fostering a community where people feel able to speak openly, share their  feelings, and access the help they need.” 

Close to Home is free to visit. No ticket required. 

www.heartofglass.org.uk/CloseToHome 

A programme of events will accompany the installation, including a concert featuring music and  spoken word at the Liverpool Philharmonic Music Room (10 September), and talks from Edith  Hall and Professor Amy Chandler within the installation space, with further events to be  announced. Booking details will be available soon.  

Content advisory: Close to Home explores lived and living experiences of suicide and  bereavement. It does not depict suicide, but it does engage with themes that some people  may find emotionally challenging. People are welcome to engage in whatever way feels  right for them, and support information will be available throughout a visit. 

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