FACT Liverpool, the UK’s leading centre for art, film, and creative technology announces its dynamic 2025 programme, featuring solo exhibitions, collaborative projects, and immersive experiences that push the boundaries of contemporary art and technology. The programme is highlighted by extraordinary international co-commissions and locally embedded participatory projects that bring together artists from multiple disciplines and practices.
- 21 February – 11 May 2025: FACT presents two compelling solo exhibitions that explore the intersection of media, technology, and global politics: Christopher Kulendran Thomas’ Safe Zone and Bahar Noorizadeh’s Free to Choose.
- 25 – 26 April 2025: To mark the closing weekend of Art Plays Games, an exhibition dedicated to games made by artists, FACT hosts a two-day symposium to explore storytelling in games, featuring discussions on world-building, interactivity, avatar creation, and immersive design with artists, performers, game designers, and industry professionals.
- 22 May – 10 August 2025: Amartey Golding’s solo exhibition marks the culmination of FACT’s multi-year Resolution project, featuring a film and chainmail sculpture created in collaboration with imprisoned men from HMP Altcourse.
- 7 June – 14 September 2025: FACT welcomes the return of Liverpool Biennial, the UK’s largest contemporary art festival, for its 13th edition.
- 29 August – 17 November 2025: A Studio/Lab Exhibition will showcase works by artist members and residency artists, highlighting local talent and providing a unique opportunity to explore FACT’s vibrant creative community.
- 16 October 2025 – 22 February 2026: FACT presents two powerful solo exhibitions: a new commission by Bassam Issa Al-Sabah and Nina Davies’ collaborative project with participants from The Clatterbridge Cancer Centre’s Teenager and Young Adults Unit.
Christopher Kulendran Thomas: Safe Zone and Bahar Noorizadeh: Free to Choose (21 February – 11 May 2025)
FACT kicks off 2025 with two compelling solo exhibitions by artists Christopher Kulendr Thomas and Bahar Noorizadeh. The exhibitions invite visitors to explore the intersection of media, technology, and global politics. Christopher Kulendran Thomas showcases a major new body of work, Safe Zone, alongside a reimagined staging of Bahar Noorizadeh’s film Free to Choose. Within these powerful exhibitions, the artists encourage audiences to reconsider their relationship with politics, technology, economics, and societal structures while reflecting on how momentous events have shaped the world as we understand it today.
Christopher Kulendran Thomas’s work explores the legacies of imperialism. A British artist of Sri Lankan Tamil descent, Kulendran Thomas has been using artificial intelligence technologies over the last decade to examine the foundational fictions of Western individualism. His new exhibition, Safe Zone, features two bodies of work that metabolism the historical mediums of soft power: a series of paintings and a video work that auto-edits television footage. The exhibition at FACT marks the work’s UK premiere.
Bahar Noorizadeh is a UK-based artist, writer, and filmmaker whose work explores financial technology, and alternative futures, offering a critical perspective on capitalism and its global impact. Presented at FACT and in the UK for the first time, Noorizadeh showcases her film Free to Choose. This financial science-fiction opera delves into themes of time travel and neoliberal economics through a story set in Hong Kong, spanning decades
Art Plays Games Symposium (25 – 26 April 2025)
To mark the closing weekend of Art Plays Games (25 September 2024 – 27 April 2025), FACT will bring together artists, performers, games designers, critical thinkers and industry professionals to consider how artists’ games offer compelling forms of storytelling. Over two days, the symposium held at FACT will include discussions, performances, live music, and gaming workshops that explore approaches to world-building, interactivity, avatar creation and immersivity through sound and spatial design. The programme will examine how artists reconsider approaches to control, gamification and decision-making while questioning what the games industry can learn from the arts.
Working in collaboration with cultural producer Anne Duffau, the symposium includes the forthcoming edition of Always Coming Home, a series of events by Duffau that further the ideas of immersion, speculative worlds and conscious listening. Previous iterations of the event series have been held at Iklectik (London, 2023) and Matt’s Gallery (London, 2024).
Collaborators and speakers across the two days include researcher and FACT’s Research Curator Stella Sideli, workshops and performances by art collective Babeworld, and artist Zein Majali with Jeremy Chen, with more artists and experts from the digital storytelling world to be announced. The symposium’s findings will be published in the third edition FACT’s journal in Spring 2026.
Amartey Golding (22 May – 10 August 2025)
Amartey Golding’s solo exhibition marks the conclusion of FACT’s multi-year Resolution project, which explores how art can affect public attitudes and influence decision-making the justice system. Known for his emotionally impactful work, Golding collaborates with imprisoned men at HMP Altcourse (Liverpool, UK) to create a large-scale chainmail sculpture weighing over 200 kilograms. Together, the group have crafted an intricate garment that represents their shared stories and explores themes of trauma, identity, and societal behaviours. The exhibition will feature the resulting chainmail garment alongside a new film, inviting visitors to reflect on how art can affect public attitudes and create a for dialogue and representation.
Alongside the exhibition, FACT will publish the next edition of its journal, an open-access contemporary art resource that delves into the centre’s artistic programme with essays, images and perspectives from Resolution’s collaborators, artists and scholars.
Liverpool Biennial 2025: BEDROCK (7 June – 14 September 2025)
FACT is proud to host once again the next edition of Liverpool Biennial, the UK’s largest festival of contemporary art. For its 13th edition, titled BEDROCK, the festival is inspired by Liverpool’s physical and social foundations and the people, places and values that ground us. Curated by Marie-Anne McQuay, works by 30 artists and collectives will be unveiled across the city from 7 June 2024, with FACT’s exhibiting artists to be announced in March 2025.
Studio/Lab Artist Members Group Exhibition (29 August – 17 November 2025)
An exhibition of works created in Studio/Lab by some of FACT’s residency artists over the last year. This is a chance to experience some of the more developed works produced by FACT’s artist development programme, embedded within its vibrant artist community. This showcase of local and international talent will coincide with the conclusion of the Liverpool Biennial 2025. During this exhibition, outside the gallery, there will also be a longer-term installation which dives more into Studio/Lab’s artist community and their works in progress.
Bassam Issa Al-Sabah and Nina Davies (16 October 2025 – 22 February 2026)
FACT closes 2025 with two powerful solo exhibitions. Bassam Issa Al-Sabah works across digital animation, painting, sculpture and textiles to create visions of resistance, transformation and queer possibility. At the core of his practice is investigating how digital culture and virtual environments mediate experiences of trauma, displacement, and loss.
The worlds he constructs provide a framework for reimagining personal and collective histories, where the fantastical functions as a refuge and a site of confrontation. For this new commission, Al-Sabah will create an immersive multi-sensory installation environment that explores the instability and superficiality of the digital sel
Concurrently, Nina Davies collaborates with participants from The Clatterbridge Cancer Centre’s Teenager and Young Adults Unit. Building on her practice in dance and performance, Davies’ project invites participants who are currently being treated for cancer or recently completed cancer treatment to share their lived experiences. The project transforms personal stories into knowledge that encapsulates an experience of cancer and the body in digital and physical realms.
FACT’s 2025 programme continues to cement its position as a leader at the intersection of art, technology, society, and culture. It offers visitors unparalleled opportunities experience cutting-edge contemporary art in the heart of Liverpool.
