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Reviews

Review: Flower Fairies, Lady Lever

Review: 1.5 Degrees, by Sweat the Small Stuff

Review: Stephen Clarke’s Alien Resident: Under Investigation, at Ropes & Twines

Review: The Royal Standard: Conversations with Painting

View of a gallery with glazed panel walls. Canvases hang from the ceiling, and a display table sits in the centre of the room. Against the wall in the foreground are rows of canvases leaning against the wall.

Review: Fanchon Fröhlich, The Wrong Sex at Exhibition Research Lab

Leather panel, carved into lino-print style forms. Grey-blue background, spotted with black texture, sites behind a pink and earthen coloured foreground showing rocks and heathland.

Review: Bluecoat Display Centre’s Spring Display

Black-framed painting of two figures in a woodland, looking over a shallow hole filled with a variety of old bones. Their clothes are collaged. Behind a tree in the mid-ground, a child stands waiting.

Review: Kathryn Maple, Under a Hot Sun at Walker Art Gallery

View through black-barred window, set back into mauve wall. the window looks out on to the river Mersey on a grey day, with a brick building in the foreground.

Review: JMW Turner with Lamin Fofana at Tate Liverpool

Review: Ean Flanders’ The Descendants, at the Victoria Gallery & Museum

Review: Night at the Poseum… at World Museum

Review: Ali Hunter’s Quarinteriors at Egg Cafe

Review: Future Ages Will Wonder, at FACT Liverpool

Kiln Fired Ecologies: Evocations of Natural Forms in the Works of...

Review: Lucy McKenzie at Tate Liverpool

Review: Space is The Place, Patric Rogers & Angelo Madonna at...

Pause for Living, Roxy Topia & Paddy Gould; An exhibition at...

Review: Emily Speed: Flatland at Tate Liverpool

Review: Walter Sickert at Walker Art Gallery

Review: Gold Maria Akanbi: BlackFest at The Royal Standard

Review: Uncertain Data: a brief meditation at FACT

Review: Very Public Art

Review: Challenging Histories, International Slavery Museum

Review: Jon Edgley, On the Bright Side at Convenience Gallery

Review: One Day at a Time Boys, Dead Pigeon Gallery

Review: Jessica El Mal, Grounds for Concern (Liverpool Arab Arts Festival)

Review: Lucian Freud & Louise Bourgeois at Tate Liverpool

Review: Aliza Nisenbaum at Tate Liverpool

Review: John Moores Painting Prize 2020

Review: Public Service Announcement

Review: Peace Doves by Peter Walker, at Liverpool Cathedral

Review: Rui Matsunaga at The Atkinson

Review: Liverpool Biennial 2021 (part 2)

Review: Liverpool Biennial 2021

Review: High Viz, Dead Pigeon Gallery

Review: German Revolution Expressionist Prints at Lady Lever Art Gallery

Review: The Time We Call our Own, Open Eye Gallery

Review: The Liverpool Nude – An Exhibition of Work from Merseyside’s...

Review: Don McCullin at Tate Liverpool

Review: Linda McCartney Retrospective, Walker Art Gallery

Review: Linda McCartney Retrospective

1...456...15Page 5 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
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  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
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  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

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