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Reviews

Review: Introduction to Woodwork at Make. Liverpool

Review: Steve des Landes, Un-settled, at the Williamson Art Gallery

Review: Future Aleppo, FACT Liverpool

Review: The Pier Head – Tom Wood

Review: The Pier Head – Tom Wood

Review: Why Look At Animals

Review: In The Peaceful Dome

Review: House of Suarez: Elements of Vogue

Review: Culture Shifts: Local at Open Eye Gallery

Review: Adventures in Ancient Egypt, at The Atkinson

Review: John Piper at Tate Liverpool

Review: Art et Liberté: Surrealism in Egypt

Review: The Liverpool Collection, at dot-art

Review: Ceramica at RIBA North

Review: Whitaker Malem – Pop Artisans

Review: Ice Cream for Crow (Captain Beefheart weekender at Make. North...

Liverpool 2018 Brand Reveal: First Impressions

Review: Winds of Change at Kirkby Gallery

Review: Artist Rooms: Roy Lichtenstein in Focus

Review: Past, Present, Future at Bluecoat Display Centre

Review: David Holmes, Werewolf in a Jetpack

Lecture Review: Alphonse Mucha & Auguste Rodin ‘A Lasting Friendship’

Review: Lubaina Himid at Walker Art Gallery

Review: Eimear Kavanagh’s experimental workshops at Bluecoat

Review: Open 3: Affecting Change at Open Eye

Review: Coming Out: Art and Culture 1967-2017

Review: Abacus, at Bluecoat

Not Quite Light beautifully captures reinvention of the Welsh Streets

Review: Precious Innes and Kasumi Dean – A New Place For Me...

Review: MINUS at Tate Liverpool (an exhibition that never happened)

Review: You and I are like that red wall… CBS

Review: Liverpool(e): Mover, Shaker, Architectural Risk-Taker at RIBA North

dot-art gallery

Review: dot-art: Micro Macro

Review: Foodsketz, Relay

Liverpool Book Art Fair gets its motor running with stunning exhibits

Review: Portraying a Nation: Germany 1919–1933, August Sander and Otto Dix

Marvin Gaye Chetwynd’s musical production made with and for children visited...

Review: Portals to Uncertainty, Road Studios

Review: Aleksandra Mir: Space Tapestry, Tate Liverpool

Review: Time Slips Away, at Road Studios

1...8910...15Page 9 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

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No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

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This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

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