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Reviews

Review: Rituals, at Bluecoat Display Centre

Review: Charles Rennie Mackintosh: Making the Glasgow Style

A Tour of Hardmans’ House

Review: The Female Gaze: Women Depicting Women – dot-art

Review: Press Room – Ciara Phillips at Crosby Library

Review: Painting Nature by Elaine Preece Stanley at Editions

Review: Op Art in Focus, Tate Liverpool

Review: Light Blue, at The Royal Standard

Review: She’s Eclectic – Women Artists of the VGM Collection

Review: Here & Now, at Open Eye

Review: Mark Leckey at OUTPUT gallery

Review: Bluecoat Display Centre at 60

Review: Welsh Landscapes at dot-art

Review: The Art Schools of North West England, at Bluecoat

Review: Artist Rooms: Alex Katz, at Tate Liverpool

Review: Quentin Blake & John Yeoman: 50 Years of Children’s Books...

Preview: Gray Ⓖ at Kirkby Gallery, and the 18th Knowsley Open

Six Memos (on art and writing); Italo Calvino’s future becomes reality

Review: Leonardo Da Vinci: A Life in Drawing

Review: A Different Way of Seeing

Review: Six Memos, a European CreArt Exhibition

Review: Fernand Léger: New Times, New Pleasures, Tate Liverpool

Review: Jade Montserrat, Instituting Care

Blue Room at Ten, Review

Review: Monochrome at Bluecoat Display Centre

Review: Stirling Prize Shortlist exhibition 2018, at RIBA North

Review: Jasmir Creed, Dystopolis at the VGM

Between You and Me, Everything Else is Different; Review: Leo Fitzmaurice...

Review: Moon Kyungwon and Jeon Joonho, News from Nowhere

Review: Knowsley Book Art; Liverpool Book Art’s graduation, 2018

Review: Fernand Léger at Tate Liverpool

Review: Broken Symmetries

Ideas Depot; where art isn’t part of the curriculum. It’s all...

Review: It’s The Travelling Life; an exhibition based on fact, by...

Review: Liverpool Biennial 2018

Preview of Broken Symmetries, a collaboration between FACT & CERN

Review: Test! The programme of trial and error taking chances for...

Preview: Dragons of the Pool, coming later this month to Arts...

Review: Smoke and Fire at Bridewell Studios

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madiha Aijaz

1...678...15Page 7 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
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  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
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  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

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