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Reviews

Review: A Stitch in Time, by LUMA Creations at St George’s...

Review: Annie Frost Nicholson: All of your textures live inside of...

Review: Michael Stubbs at The Cornerstone Gallery

REVIEW: The Town is The Gallery at Convenience Pop Up

Review: Julia Midgley: Bicentenary Sketchbook – A Window on LJMU’s 200th...

Review: On The Other Side,at FACT Liverpool

Review: Terra Ignota: John Elcock and Margaret O’Brien, at Bridewell Studios...

Review: The Williamson Open 2024, at Williamson Art Gallery & Museum

Review: LOOK Climate Lab 2024 at Open Eye Gallery

Review: University Centre St Helens: The Archive: BA Graphic Design Work-in-Progress...

Review: The Art of Line, at Dot-art

Review: You Get a Car [Everybody Gets a Car], Resolve Collective...

Review: Babak Ganjei: Thanks for Having Me, at Bluecoat

Review: Tim Spooner’s New Kind of Animal at Bluecoat

Review: A Place of Our Own at Open Eye Gallery

Review: Brendan Lyons’ Mixtape at Bridewell Studios and Gallery

Review: Abstract Thinking: Fanchon Fröhlich & Her Contemporaries at Victoria Gallery...

Review: John Moores Painting Prize 2023

Review: Evocation, at Avenue HQ & Elevator Studios

Review: Imagine Bamboo is Everywhere

Review: Creatures of the Psyche, at Bridewell Studios & Gallery

Review: Dan O’Dempsey, Karesansui, at the Royal Standard

Review: The Drawing (Paper) Show at Bridewell Studios

Review: Rob Davies’ Watercolours at Williamson Art Gallery & Museum

Review: Tatton Park Flower Show 2023

Review: Jon Gale’s Green Myths at Cass Art

Review: Rabbit Holes in the Playing Field, Maeve Thompson at The...

Review: Liverpool Biennial 2023

Review: Andrew Small & Fiona Stirling at The Egg Cafe

Review: How to Wear High Heels, Xanthe Tilzey and Elisa Sallis...

Review: Gordon Cheung at The Atkinson

Review: The Story of Paris

Review: Fleece: Flow, by Sian Hughes at Bridewell Studios

Review: Louise Waller at Victoria Gallery & Museum

Review: University of Chester Art and Design Degree Show 2023

Review: Hot Bed Press 20:20 at Hazlehurst Studios

Review: Unfurled: Encounters with Artists’ Books, Grosvenor Museum

Review: dot-art: Around The World In Black & White

Review: Victoria Gallery & Museum: LINDA STEIN: Gender Scrambling

Review: Chila Kumari Singh Burman’s Merseyside Burman Empire, at FACT

1...345...15Page 4 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

  • Create an artist profile.
  • Add up to five images, and audio visual links to embed video or sound content.
  • Link to your own website or social media.
  • Host your CV and Exhibition History.
  • Submit blog posts for the new Artist Blogs & News section.

No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

  • Submit events directly once your account is approved.
  • Submit jobs & calls.
  • Share producer blogs and stories about your gallery / group.

This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

Cost: free. As with everything from Art in Liverpool, we’re here to support the art world. This doesn’t cost us anything, so it shouldn’t cost you anything.

Ownership: You, the artist or producer, own the rights to your work, and we will never sell any of your content. By uploading to www.artinliverpool.com you agree that Art in Liverpool C.I.C. can share your stories, but with the assurance that it will be given with full credit, and links to your own social media or websites if you have them.