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Reviews

Review: COAL, Gary Clarke Company, LEAP Dance Festival 2017

Baltic Clay, Scouse in a Bowl, © Andrew Sherriff Photo

Review: Scouse in a bowl – is good for the soul

Liverpool Biennial 2016 Evaluation, unpicked

Review: Pirates, Pants and Wellyphants

Victorian Treasures, Walker Art Gallery 2017. © Dave Jones

Review: Victorian Treasures at Walker Art Gallery

Review: Public View at Bluecoat: Why it Matters

Review: Public View at Bluecoat: A Love Letter

Review: Art at the Heart of Bluecoat

Review: The Royal Standard & Northern Lights: Liverpool’s newest creative destination

Review: Fresh Perspectives – Art from Wirral Schools

Liverpool Chinese New Year 2017, Preview

Review: The Female Gaze: Elizabeth Brownsword and Lois Tierney

Review: Sprung a Leak – Cécile B. Evans, Tate Liverpool

Review: Art of Solidarity: Cuban posters for African liberation

Review: Open Eye at 40 – NORTH: Identity, Photography, Fashion

Review: DaDaFest: Alba by Jo Bannon

Review: Joseph & Ivy Hulme at Surtsey Projects

Review: Michael Lacey: A Hole, A Mountain

Review: Auto Agents, AaA Collective

Review: Collaboration: Out of the Blue, the story so far

Review: Walter Keeler at Bluecoat Display Centre

Review: Can I Start Again Please, DaDaFest at Unity Theatre

Review: Constellations and Tate Exchange Liverpool

Review: Craig Davison, Avengers Resembled

Review: Will Self: The Roy Stringer Memorial Lecture

Review: No Such Thing As Gravity, FACT

Review: Nick Leassing and Nahum Matra at FACT

Review: Alice May Williams, Speke of the Future

Review: Benedict Drew, KAPUT

Review: Looking North, through the Arts Council Collection

Review: Edward Krasinski at Tate Liverpool

Review: Keith Piper, Unearthing the Banker’s Bones

Review: Keywords for Dummies: Intellectual Property

Review: North West Fashion Festival 2016

Review: Jarman Awards 2016 at FACT

Review: Dip at Crown Building Studios

Review: Kelly Hayes: The Image Affect

Review: Yves Klein, Tate Liverpool

Review: Gifts for the Gods: Animal Mummies Revealed

Review: Ed Bruce, Stations Ends

1...101112...15Page 11 of 15

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Art in Liverpool was established in 2004 to support artists and artist-led space, and has spent the last two decades seeking to share news and events on an equal platform for the biggest institutions and smallest start ups.

The new login function for the site allows two roles:

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  • Add up to five images, and audio visual links to embed video or sound content.
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No profiles, but your submissions will link to any live page dedicated to your gallery (for freelance producers, it will be easier to set up an artist profile – there is an artform box that allows you to assign Producer as your role).

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This new feature is in addition to whole new website, and is very much is BETA. All entries will be live.

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