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UID:1734@artinliverpool.com
DTSTART;TZID=Europe/London;VALUE=DATE:20170623
DTEND;TZID=Europe/London;VALUE=DATE:20171016
DTSTAMP:20170821T115053Z
URL:https://www.artinliverpool.com/events/tate-liverpool-portraying-nation
 -germany-1919-1933/
SUMMARY:Tate Liverpool: Tate Liverpool: Portraying a Nation: Germany 1919
 –1933
DESCRIPTION:Portraying a Nation: Germany 1919–1933 \n\nTate Liverpool\n23
  June – 15 October 2017\n£12.00 / £9.50\n\nTate Liverpool presents the
  faces of Germany between the two World Wars seen through the eyes of pain
 ter Otto Dix (1891–1969) and photographer August Sander (1876–1964). P
 ortraying a Nation: Germany 1919–1933 brings together two artists whose 
 works document the glamour and misery of the Weimar Republic\, a time of r
 adical extremes and political and economic upheaval.\n\nPortraying a Natio
 n: Germany 1919–1933\, which exhibits Dix and Sander as a pair for the f
 irst time\, reflects a pivotal point in Germany’s history\, as it introd
 uced democratic rule in the aftermath of the First World War. The period w
 as one of experimentation and innovation across the visual arts\, during w
 hich both artists were concerned with representing the extremes of society
 \, from the flourishing cabaret culture to intense poverty and civilian re
 bellions.\n\nFeaturing more than 300 paintings\, drawings\, prints and pho
 tographs\, Portraying a Nation: Germany 1919–1933 unites two complementa
 ry exhibitions. Otto Dix: The Evil Eye explores Dix’s harshly realistic 
 depictions of German society and the brutality of war\, while ARTIST ROOMS
 : August Sander presents photographs from Sander’s best known series Peo
 ple of the Twentieth Century\, from the ARTIST ROOMS collection of interna
 tional modern and contemporary art.\n\nThe exhibition focusses on the evol
 ution of Dix’s work during his years in Düsseldorf\, from 1922 to 1925\
 , when he became one of the foremost New Objectivity painters\, a movement
  exploring a new style of artistic representation following the First Worl
 d War. Dix’s paintings are vitriolic reflections on German society\, com
 menting on the country’s stark divisions. His work represents the people
  who made up these contradictions in society with highlights including Por
 trait of the Photographer Hugo Erfurth with Dog 1923\, Self-Portrait with 
 Easel 1926\, Reclining Woman on a Leopard Skin 1927 as well as a large gro
 up of lesser known watercolours.  Dix’s The War 1924 will also form a k
 ey element of the exhibition\, a series of 50 etchings made as a reaction 
 to and representation of the profound effect of his personal experiences o
 f fighting in the First World War.\n\nSander’s photographs also observe 
 a cross-section of society to present a collective portrait of a nation. S
 ander commenced his major photographic project People of the Twentieth Cen
 tury in 1910\, an ambitious task that occupied him until the 1950s. The pr
 oject resulted in more than 600 images in which people were categorised in
 to what he described as ‘types’\, including artists\, musicians\, circ
 us workers\, farmers and\, in the late 1930s\, images of Nazi officers. Mo
 re than 140 photographs from the ARTIST ROOMS collection will be displayed
  to create a large-scale timeline of Weimar Germany\, placing individual s
 ubjects against a backdrop of the era’s tumultuous cultural and politica
 l history.\n\nPortraying a Nation: Germany 1919–1933 is made up of Otto 
 Dix: The Evil Eye\, Kunstsammlung Nordrhein-Westfalen\, Düsseldorf and AR
 TIST ROOMS: August Sander\, an exhibition of works from the ARTIST ROOMS c
 ollection of international modern and contemporary art.\n\nThe ARTIST ROOM
 S collection is jointly owned by National Galleries of Scotland and Tate o
 n behalf of the public\, and was established through The d’Offay donatio
 n in 2008 with the assistance of the Heritage Memorial Fund\, Art Fund and
  the Scottish and British governments. It is shared with UK museums and ga
 lleries including Tate\, National Galleries of Scotland and a network of A
 ssociate venues through ARTIST ROOMS On Tour\, which is a partnership unti
 l 2019 with lead Associate Ferens Art Gallery\, supported by the National 
 Lottery through Arts Council England\, Art Fund and the National Lottery t
 hrough Creative Scotland.\n\nOtto Dix: The Evil Eye is curated by Dr Susan
 ne Meyer-Büser\, Kunstsammlung Nordrhein-Westfalen\, Düsseldorf\, France
 sco Manacorda\, Artistic Director and Lauren Barnes\, Assistant Curator\, 
 Tate Liverpool. ARTIST ROOMS: August Sander is
ATTACH;FMTTYPE=image/jpeg:https://www.artinliverpool.com/wp-content/upload
 s/2017/01/unnamed-e1484740602285.jpg
LOCATION:Tate Liverpool\, Albert Dock\, Liverpool\, L3 4BB\, Liverpool\, Un
 ited Kingdom
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Albert Dock\, Liverpool\, L
 3 4BB\, Liverpool\, United Kingdom;X-APPLE-RADIUS=100;X-TITLE=Tate Liverpo
 ol:geo:53.4003,-2.9927
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DTSTART:20170326T020000
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TZOFFSETTO:+0100
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