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UID:11011@artinliverpool.com
DTSTART;TZID=Europe/London;VALUE=DATE:20250926
DTEND;TZID=Europe/London;VALUE=DATE:20251117
DTSTAMP:20251002T143439Z
URL:https://www.artinliverpool.com/events/firehawks/
SUMMARY:Open Eye Gallery: Firehawks
DESCRIPTION:Firehawks is a project by Stephen King. It is the first of it
 s kind and the culmination of years of research\, beginning with a collabo
 ration with Open Eye Gallery in 2021\, where Stephen explored his own expe
 rience of firesetting.\n\nThe root of the exhibition’s title links to th
 e phenomenon of the Firehawk\, an Australian bird who creates bushfires by
  dropping already burning sticks in an attempt to direct prey fleeing an o
 riginal blaze. They actively transform their landscapes to ensure their no
 urishment in times of drought and trauma. The project explores the correla
 tion of the act of the Firehawk bird with people who set fires.\n\nRarely 
 spoken about\, the term ‘firesetting behaviour’ is not widely known or
  understood. In England\, tens of thousands of deliberate fires are record
 ed each year. Often regarded as arson or acts of vandalism\, many are star
 ted by children. Firehawks seeks to raise awareness of firesetting throu
 gh a visual demonstration of why individuals are drawn to this element as 
 a silent language of survival\, often due to a traumatic experience or env
 ironment that is challenging to speak about. It will also shine a light on
  the people and services who help to understand and overcome the complexit
 ies that can be indicated by firesetting behaviour.\n\nFeaturing 20 images
 \, displayed in a narrative of three phases\; destruction\, communication 
 and renewal\; Firehawks is the culmination of years of work for Stephen\
 , who himself has lived experience of firesetting as a child. After collab
 orating with London Fire Brigade Firesetting Intervention Scheme\, Northum
 berland Fire and Rescue Service and Merseyside Fire and Rescue Service as 
 well as numerous conversations and workshops with individuals with lived e
 xperience\, he has developed an exhibition of work borne out of his innate
  ability to listen and respond to people’s experiences and sensitively t
 ranspose their accounts into visual\, metaphorical depictions.\n\nStephen 
 King said: “This exhibition is the result of several years of work\, but
  ultimately a lifetime of trying to understand and heal from my own experi
 ences of firesetting as a young person. I’ve worked with so many people 
 associated with firesetting – young people who have set fires\, adults w
 ho used to and those who work to understand\, intervene and care for them.
  Their ability to talk\, share and allow me to portray their experiences t
 hrough my photography\, has been incredibly humbling. \n\n“The visual l
 anguage of photography can break barriers and destigmatise what is an inc
 redibly sensitive subject\, and the culmination of this project will hopef
 ully bring a positive platform to those who are working through their trau
 ma\, who have overcome it\, and show audiences that the work of frontline 
 services is much more beyond ‘putting out fires’.”\n\nBeginning as a
 n Arts Council-funded research project in 2021\, Stephen and the exhibitio
 n’s producer Angharad Williams\, have worked closely with Open Eye Galle
 ry’s social practice team and leading specialist in the field of child f
 iresetting behaviour\, Joanna Foster\, to develop a larger scale project\,
  looking at firesetting\, its triggers\, impacts and personal stories.\n\n
 Joanna Foster\, who is author of the book ‘Children and Teenagers Who Se
 t Fires: Why they do it and how to help’ said: “The significant maltre
 atment in the formative years of many children and teenagers who set fires
  is well evidenced. Such relational and attachment trauma can lead to comp
 lex survival responses and often crippling coping mechanisms\, which can i
 nclude acting out in the form of setting fires. These fires can help regul
 ate intense and overwhelming emotions\, draw attention to an otherwise inv
 isible child\, or give voice to words and feelings that are too difficult 
 to speak.”\n\nThe photographic series shown in the exhibition does not s
 eek to diagnose or define. Instead\, it invites the viewer to sit within t
 he tension of the fire\, connecting with the issue of firesetting through 
 images of anonymised people and situations\, portrayed with a filmic and d
 reamlike quality. A black dog walks among scorched trees\, carrying storie
 s in its teeth\; dolls burn on a mattress floating on reflective water\; a
  fire service training dummy supports a young boy on the edge of a precipi
 ce\; new life starts to grow in a community orchard – a site which holds
  firesetting memories for the photographer himself.\n\nStephen continues: 
 “The images don’t depict fairy tales\, though they borrow their famili
 ar shapes. I wanted to be sure that fire was ever present in the exhibitio
 n\, encapsulating the flickering\, crackle\, and smoulder of the element a
 t the core of the stories. In circumstances of firesetting\, flames become
  a language\, a companion\, a compulsion\, a release. The work gathers fra
 gments\; stories from children\, adults talking of their younger selves\, 
 voices from those who work in fire and rescue services\, memories that smo
 ulder long after the event. It is not a study\, but a visual reckoning —
  born from experience\, shaped by dialogue\, held in a shared\, collective
  space. I hope it makes those who have been through trauma feel less alone
  and less stigmatised.”\n\nElizabeth Wewiora\, head of social practice a
 t Open Eye Gallery said: “It is so exciting to see the Firehawks projec
 t become a reality this year within our galleries\, as we’ve been discus
 sing the project with Stephen for more than five years. Like most good\, s
 ocially engaged projects however\, this shouldn’t seem a surprise\, as 
 working collaboratively with communities to shape and visualise stories wh
 ich are important to them takes time. And Firehawks is a very particular s
 tory\, which needs to be explored with care and sensitivity\; something we
  hold real value in at Open Eye Gallery.\n\n“Stephen’s approach consi
 ders the anonymity of all involved whilst still opening up a visual conver
 sation for our audiences as it explores why people can be drawn to fire du
 ring traumatic experiences in their lives\, and moreover how wider society
  and our frontline services respond and deal with this. Stephen’s photog
 raphic work leans into the metaphorical and surreal which is also a welcom
 e alternative approach to socially engaged photographic imagery\, which ca
 n tend to sit more within a documentary style. We can’t wait to see the 
 work come together in the gallery this September.”\n\nAs part of the par
 tnership with Open Eye Gallery\, Stephen has also been working with studen
 ts and graduates from Open Eye Gallery’s joint MA in socially engaged ph
 otography at the University of Salford. 2023 Graduate Rachel Beeson was as
 sisting Stephen on the photo shoots across the fire service sites\, whilst
  fellow graduates from last year’s cohort Anna Wijnhoven\, Eleni Karypi
 dou and Isabel Walker are exhibiting their own work in the upstairs Gall
 ery 3 space (Next Up).\n\nThe project is supported using public funding b
 y the National Lottery through Arts Council England.\n\nLead image: Stephe
 n King\n\nGallery images: Rob Battersby
ATTACH;FMTTYPE=image/jpeg:https://www.artinliverpool.com/wp-content/upload
 s/2025/10/image.png
CATEGORIES:Exhibitions
LOCATION:Open Eye Gallery\, Mann Island\, Liverpool Waterfront\, Liverpool\
 , L3 1BP\, Liverpool\, United Kingdom
GEO:53.40423;-2.994412
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mann Island\, Liverpool Wat
 erfront\, Liverpool\, L3 1BP\, Liverpool\, United Kingdom;X-APPLE-RADIUS=1
 00;X-TITLE=Open Eye Gallery:geo:53.40423,-2.994412
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