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UID:6704@artinliverpool.com
DTSTART;TZID=Europe/London:20211209T180000
DTEND;TZID=Europe/London:20211209T180000
DTSTAMP:20211128T171652Z
URL:https://www.artinliverpool.com/events/bluecoat-in-conversation-at-the-
 bluecoat-the-black-magus-power-and-magnificence-in-renaissance-europe/
SUMMARY:Bluecoat: Bluecoat: In Conversation at the Bluecoat - The Black Mag
 us: Power and Magnificence in Renaissance Europe
DESCRIPTION:The Bluecoat is delighted to welcome independent Art and Cultur
 al Historian\, Michael Ohajuru on Thursday 9 December at 6pm for an online
  discussion\, Black Magus: Power and Magnificence in Renaissance Europe.\n
 \nBOOK HERE\n\nOhajuru\, Senior Fellow at the Institute of Commonwealth St
 udies\, researches\, writes and speaks on Black presence in Renaissance Eu
 rope. He will present his research into the presence of the Black magus or
  Black king in art history as part of an illustrated Q&amp\;A with Bluecoa
 t’s Head of Programme\, Marie-Anne McQuay.\n\nOhajuru will unpack how th
 e image of the Black magus shifted over time\, what he represented and who
  might have sat for his studies\, leaving time for questions from the onli
 ne audience. The conversation has been devised in response to artist Rosa-
 Johan Uddoh’s exploration of the Black magus\, otherwise known as Baltha
 zar\, who shifts from a white European to an African king within depiction
 s of the Nativity.\n\nRosa-Johan Uddoh’s exhibition Practice Makes Perfe
 ct is now showing at the Bluecoat and includes a major new work\, a large-
 scale collage\, which investigates the historical figure of Balthazar. Acc
 ording to tradition\, Balthazar was one of the three biblical magi and lat
 er a saint\, who offered the gift of myrrh to Jesus. Depicted since mediev
 al times as a lone black figure in artistic imagery of the Nativity scene 
 or ‘Adoration’\, this king is often the first time school children enc
 ounter a Black person of importance in a performance.\n\nHistorically\, Ba
 lthazar is also a figure through which white artists and their patrons in 
 Europe first constructed ‘Blackness’. Through her research\, with the 
 assistance of Nasra Abdullahi\, Uddoh has found and catalogued around 150 
 historical ‘Balthazars’ featured in ‘Adoration’ paintings made thr
 oughout European history. Thinking about the real\, Black European sitters
  for these paintings\, Uddoh’s billboard-style collage brings these Blac
 k kings together in friendship groups on a long march of solidarity to cha
 nge the West.\n\nThe exhibition commissioned in partnership with Focal Poi
 nt Gallery is showing at the Bluecoat until 23 January\, along with A look
  inside by US artist Deborah Roberts\, and Always Black Never Blue by Live
 rpool Artist Sumuyya Khader. All three solo exhibitions explore the format
 ion of identity in the 21st Century.
ATTACH;FMTTYPE=image/jpeg:https://www.artinliverpool.com/wp-content/upload
 s/2021/11/rosa-jonah-uddoh.jpg
LOCATION:Bluecoat\, School Lane\, Liverpool\, L1 3BX\, Liverpool\, United K
 ingdom
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