BEGIN:VCALENDAR VERSION:2.0 PRODID:-//wp-events-plugin.com//7.4.5//EN TZID:Europe/London X-WR-TIMEZONE:Europe/London BEGIN:VEVENT UID:1363@artinliverpool.com DTSTART;TZID=Europe/London:20161012T133000 DTEND;TZID=Europe/London:20161012T160000 DTSTAMP:20161011T163044Z URL:https://www.artinliverpool.com/events/bluecoat-association-internation al-art-critics-aica-present-bilocation/ SUMMARY:Bluecoat: Bluecoat: Association of International Art Critics (AICA) present Bilocation DESCRIPTION:Association of International Art Critics (AICA) present Bilocat ion\n\nThis panel explores the state of being in two places at the same ti me. Discussions focus on first hand experiences of migration as well as th e virtual reality of our memories and fantasies.\n\nParticipants: Sonia B oyce\, Adham Faramawy and Nina Edge with convenor Sylwia Serafinowicz  on behalf of AICA UK (International Association of Art Critics\, Briti sh Section)\n\nSonia Boyce (born 1962)\, is a British Afro-Caribbean arti st\, living and working in London. She is Professor at Middlesex Universit y and Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critic al and contextual debates that arise from this area of study. With an emph asis on collaborative work\, Boyce has been working closely with other art ists since 1990\, often involving improvisation and spontaneous performati ve actions on the part of her collaborators. Boyce's work involves a varie ty of media\, including but not limited to drawing\, print\, photography\, video and sound\, and her art explores the interstices between sound and memory\, the dynamics of space\, and incorporating the spectator.\n\nAdham  Faramawy is a Dubai born\, London based artist of Egyptian origin whose practice spans moving image\, sculptural installation and print. He uses technology to examine how identity is constructed in the twenty-first cen tury. The body is central to his practice and is approached as a primary\, sensual site in which gender and sexuality are fluid.\n\nNina Edge train ed as a ceramicist and became known for subversive use of craft processes in shows with Black British artists in the 1980s. She is published by Thir d Text\, International Journal of Art &\; Design Education\, Feminist A rt News &\; LUP. Exhibitions include Virtual Duality (Bluecoat\, 1994 )\,Mirage (ICA\, 1995) Transforming the Crown (Studio Museum in Harlem\ , 1997) The Fifth Floor (Tate Liverpool\, 2008)\, Turning FACT Inside O ut (FACT\, 2013) Live work includes Sold Down the River (Bluecoat Liver pool\,1995) and Habeas Corpus (Albert Dock\, 2007)  Her practice is soc ially engaged and she has made longstanding collaborations with communitie s. Productions include bi-lingual advertising hoardings\, radical textiles and sculptures made from cash.  She is currently showing work about hous ing clearances as part of a long investigation into demolition and forced removals (Welsh Streets 2004 – 2016) and  teaching a short course about how art and society are meshed at Tate Liverpool. ATTACH;FMTTYPE=image/jpeg:https://www.artinliverpool.com/wp-content/upload s/2016/10/fincncially-divorced-nina-edge.jpg LOCATION:Bluecoat\, School Lane\, Liverpool\, L1 3BX\, Liverpool\, United K ingdom GEO:53.404542;-2.984173 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=School Lane\, Liverpool\, L 1 3BX\, Liverpool\, United Kingdom;X-APPLE-RADIUS=100;X-TITLE=Bluecoat:geo :53.404542,-2.984173 END:VEVENT BEGIN:VTIMEZONE TZID:Europe/London X-LIC-LOCATION:Europe/London BEGIN:DAYLIGHT DTSTART:20160327T020000 TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST END:DAYLIGHT END:VTIMEZONE END:VCALENDAR