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UID:11952@artinliverpool.com
DTSTART;TZID=Europe/London:20260606T000000
DTEND;TZID=Europe/London:20260711T000000
DTSTAMP:20260507T104921Z
URL:https://www.artinliverpool.com/events/absence-stable-gallery/
SUMMARY:St George's Hall: Absence @ Stable Gallery
DESCRIPTION:Launch: 5 June 2026 / 6-8pm / Stable Gallery\, St George’s H
 all / RSVP\n\nAbsence\, curated by sociologists Laura Harris and Maike P
 ötschulat\, is a new group exhibition that brings together the photogra
 phy of seven visual sociologists\, alongside finalists from an open call f
 or photography of absences in the Liverpool City Region.\n\nTaking place f
 rom 5 June 2026 to 11 July 2026 at Liverpool’s Stable Gallery\, St Georg
 e’s Hall\, the show explores absence as both a social reality and a visu
 al language. Across more than 100 photographs\, the show investigates abse
 nce’s many forms\, asking: What does it mean to document what is no long
 er there\, or those who are no longer present? How can we see what society
  leaves behind\, or what never came to be? How can we photograph what resi
 sts to be shown?\n\nMaike Pötschulat\, one of the exhibition’s curators
 \, said:\n‘Absence is not emptiness. Often\, what appears to be absent c
 an have a large footprint in our lives and societies while generating a wh
 ole host of activities. In this exhibition\, we wanted to focus on the way
 s in which absence is lived\, felt and practised to show what materialises
  in the gaps and voids that are left by an absence.’ \nThe exhibition i
 ncludes:\n\n 	Terence Heng’s photography of Bukit Brown Cemetery\, a Ch
 inese diaspora graveyard in Singapore\, exploring death\, one of the most 
 evocative forms of absence. Heng’s work highlights how loss is a fertile
  ground for collective beliefs and practices.\n 	A selection of Setareh K
 azemi’s photojournalistic work in Iran\, with a focus on the lives of wo
 men and migrant communities who rarely find representation. Her work is a 
 reminder of the power of photography to make visible experiences and peopl
 e that are frequently overlooked.\n 	Manal Massalha’s Standing Tall se
 ries\, which documents Palestinian life and hardship in the Occupied Terri
 tories in the West Bank. Here\, absence is not a noun but a verb\, where a
  process of violent ‘absenting’ is inflicted on Palestinian communitie
 s and lands.\n 	An extract of David Schalliol’s Isolated Building Stud
 ies\, selected from a portfolio of over 700 images. As a broader commentar
 y on urban and social change in Chicago\, these images feature stand-alone
  buildings that are the last\, or first\, remnants of physical and social 
 neighbourhoods.\n 	Makeshift\, in which Paweł Starzec revisits sites of
  the Bosnian War with the muted pastel aesthetic of his photography in sta
 rk contrast to the atrocities that happened in the photographed places. St
 arzec’s work is a critical commentary on the way power manipulates what 
 and who is remembered.\n 	Gesche Würfel’s The Absence and Presence of 
 The Berlin Wall\, a comprehensive research project that speaks to the trac
 es of the wall in material and psychic terms. We exhibit composite images 
 that were created on Würfel’s cycle along the 160km Berlin Wall Trail.\
 n 	Five polaroids\, all of which for unknown reasons shed their owners and
  now exist alongside the 4000 images in Kyler Zeleny’s Found Polaroid
  archive. While their original context is forever lost\, the displayed po
 laroids feature flash fiction that was written to reanimate them.\n 	Runni
 ng alongside the exhibition are the submissions from an Open Call for pho
 tography of absence in the Liverpool City Region\, which generated hundr
 eds of images that highlight how absence is woven into the built and socia
 l fabric of the area. Five finalists\, whose work is exhibited\, are:\n\n\
 n 	Daniel Frost\n 	Alishah Iqbal\n 	Paradise Made\n 	Dan Murphy\n 	Claire 
 Weetman\n\nTILT special edition\n\nAn accompanying special issue of Open E
 ye Gallery’s magazine\, TILT\, will launch at the opening of the exhibit
 ion. The magazine features specially commissioned texts on the theme of ab
 sence and an expanded selection of images from every photographer’s proj
 ect. TILT will be available online for free at Open Eye Gallery’s websit
 e\, or in print from their bookshop (£5). The magazine will also feature 
 images received through the open call by:\n\n 	Ellie Byrne\n 	Angela Cheve
 au\n 	Alan Colclough\n 	Emily Gerrard\n 	Jean Kane\n 	Nicolas Kendall\n 	J
 une Poston\n 	Andrew Stewart\n 	Andrew Wilson\n\nPublic events programme\n
 \nFunded by the British Academy’s BA/Leverhulme Small Research Grants Pr
 ogramme and Liverpool John Moores University’s FSC Research Development 
 Fund\, the exhibition also includes a series of public events. There will 
 be several opportunities to see the exhibition together with the photograp
 hers\, curators and organisers for the launch weekend which includes the f
 ollowing activities:\n\n 	6 June 2026\, 2.30–4pm: Exhibition tour with c
 urators and photographers at Stable Gallery (book your free ticket)\n 	6 J
 une 2026\, 5–7pm: Absence in conversation. Panel discussion at Open Ey
 e Gallery followed by reception (book your free ticket)\n 	10 June 2026\, 
 2–3pm: Exhibition tour with curators at Stable Gallery (book your fre
 e ticket)\n 	13 June 2026\, 1–2pm: Exhibition tour with curators at St
 able Gallery (book your free ticket)\n\nWith support from: The British Ac
 ademy\, Liverpool John Moores University\, Open Eye Gallery\, Stable Galle
 ry\, University of Southampton.
ATTACH;FMTTYPE=image/jpeg:https://www.artinliverpool.com/wp-content/upload
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CATEGORIES:Exhibitions
LOCATION:St George's Hall\, St George's Place\, Liverpool\, L1 1JJ\, Liverp
 ool\, United Kingdom
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DTSTART:20260329T020000
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