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Review: The Art of Line, at Dot-art

Review: You Get a Car [Everybody Gets a Car], Resolve Collective...

Review: Babak Ganjei: Thanks for Having Me, at Bluecoat

Review: Tim Spooner’s New Kind of Animal at Bluecoat

Review: A Place of Our Own at Open Eye Gallery

Review: Brendan Lyons’ Mixtape at Bridewell Studios and Gallery

Review: Abstract Thinking: Fanchon Fröhlich & Her Contemporaries at Victoria Gallery...

Feature: Wild Whispers & Up Deva! at Chester Contemporary

Review: John Moores Painting Prize 2023

Review: Evocation, at Avenue HQ & Elevator Studios

Review: Imagine Bamboo is Everywhere

Review: Creatures of the Psyche, at Bridewell Studios & Gallery

Review: Dan O’Dempsey, Karesansui, at the Royal Standard

Review: The Drawing (Paper) Show at Bridewell Studios

Review: Rob Davies’ Watercolours at Williamson Art Gallery & Museum

Review: Tatton Park Flower Show 2023

Review: Jon Gale’s Green Myths at Cass Art

Review: Rabbit Holes in the Playing Field, Maeve Thompson at The...

Review: Liverpool Biennial 2023

Review: Andrew Small & Fiona Stirling at The Egg Cafe

Review: How to Wear High Heels, Xanthe Tilzey and Elisa Sallis...

Review: Gordon Cheung at The Atkinson

Review: The Story of Paris

Review: Fleece: Flow, by Sian Hughes at Bridewell Studios

Review: Louise Waller at Victoria Gallery & Museum

Review: University of Chester Art and Design Degree Show 2023

Review: Hot Bed Press 20:20 at Hazlehurst Studios

Review: Unfurled: Encounters with Artists’ Books, Grosvenor Museum

Review: dot-art: Around The World In Black & White

Review: Victoria Gallery & Museum: LINDA STEIN: Gender Scrambling

Review: Chila Kumari Singh Burman’s Merseyside Burman Empire, at FACT

Review: Flower Fairies, Lady Lever

Review: 1.5 Degrees, by Sweat the Small Stuff

Review: Stephen Clarke’s Alien Resident: Under Investigation, at Ropes & Twines

Review: The Royal Standard: Conversations with Painting

View of a gallery with glazed panel walls. Canvases hang from the ceiling, and a display table sits in the centre of the room. Against the wall in the foreground are rows of canvases leaning against the wall.

Review: Fanchon Fröhlich, The Wrong Sex at Exhibition Research Lab

Leather panel, carved into lino-print style forms. Grey-blue background, spotted with black texture, sites behind a pink and earthen coloured foreground showing rocks and heathland.

Review: Bluecoat Display Centre’s Spring Display

Black-framed painting of two figures in a woodland, looking over a shallow hole filled with a variety of old bones. Their clothes are collaged. Behind a tree in the mid-ground, a child stands waiting.

Review: Kathryn Maple, Under a Hot Sun at Walker Art Gallery

View through black-barred window, set back into mauve wall. the window looks out on to the river Mersey on a grey day, with a brick building in the foreground.

Review: JMW Turner with Lamin Fofana at Tate Liverpool

Review: Ean Flanders’ The Descendants, at the Victoria Gallery & Museum

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