Here Comes Franz
He Was Afraid
A solo exhibition of recent work including a work using the changing light sequence on the Active Learning Laboratory by the Liverpool artist to celebrate the Victoria Gallery & Museum’s acquisition of The Futurist, through the Contemporary Art Society. The works in the exhibition often focus on the absurd, imagined nature of social and individual remembrance.
Judith Barry, Jennifer Chan, Adham Faramawy, LuckyPDF, Ming Wong, Anahita Razmi, Jemima Wyman, Queer Technologies, Kristin Lucas, and Angelo Plessas
Liverpool Biennial and FACT are working in partnership with Rhizome, a New Museum affiliate in New York City. Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Rhizome.org will host a weekly-curated online programme. Each week, an artist has been invited to respond to the
theme of hospitality and to be ‘hosted’ in Rhizome’s virtual space – presenting a hyper-linked media programme that
explores cross currents in contemporary media culture.