Turning The Place Over is Launched

You have probably already seen this now, its been on the BBC website and TV all day but here’s my amateur video of this amazing artwork in action.

Richard Wilson is one of Britain’s most renowned sculptors. He is internationally celebrated for his interventions in architectural space that draw heavily for their inspiration from the worlds of engineering and construction.

Turning the Place Over consists of an 8 metres diameter ovoid cut from the façade of a building in Liverpool city centre and made to oscillate in three dimensions. The revolving façade rests on a specially designed giant rotator, usually used in the shipping and nuclear industries, and acts as a huge opening and closing ‘window’, offering recurrent glimpses of the interior during its constant cycle during daylight hours.

The construction programme started in February 2007 and involves the careful deconstruction of the façade across three floors of the building, which is then reconstructed and fixed to the enormous pivot installed at the heart of the building. This astonishing feat of engineering will stun audiences on many levels. Disturbing and disorientating from a distance, from close-up passers-by have a thrilling experience as the building rotates above them.

Co-commissioned by the Liverpool Culture Company and Liverpool Biennial, co-funded by the Northwest Regional Development Agency and The Northern Way, and facilitated by Liverpool Vision, the project is a stunning trailblazer for Liverpool’s Year as European Capital of Culture 2008, and the jewel in the crown of the Culture Company’s public art programme.

Passing traffic kept just stopping as the drivers stared at what was happening which is why you hear a loud ‘beep’ from someone trying to get through.

Actually, tonight’s launch turned into the best impromptu networking event I’ve ever been to.
Chatted to many artists and people from the Bluecoat Arts Centre, The Arts Council, The Biennial, The Culture Company, The AFoundation, Novas and The Tate.

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