3 June 2015
Free – book here
Artist Céline Condorelli joins Rosie Cooper, Liverpool Biennial’s Head of Programmes, in discussion at the Bluecoat. They will talk about how an exhibition might be a set, objects as props, and the role of conversation in the production of art. This is the third in a series of public conversations that exposes and proposes ways of working towards Liverpool Biennial in 2016.
Céline Condorelli (CH, IT, UK) is an artist living and working in London and Milan; she is the author and editor of Support Structures, Sternberg Press (2009), and one of the founding directors of Eastside Projects, Birmingham, UK; she is currently Professor at NABA (Nuova Accademia di Belle Arti) Milan. Recent exhibitions include bau bau, HangarBicocca (2015); The Company She Keeps, Van Abbemuseum (2014); Céline Condorelli, Chisenhale Gallery (2014); bau bau, museum refectory, permanent installation, Museum of Contemporary Art Leipzig (2014); Ten Thousand Wiles and a Hundred Thousand Tricks, MuHKA, Antwerp (2014); Additionals, Project Art Centre, Dublin (2014); Puppet Show, Eastside Projects, Birmingham (2013); Things That Go Without Saying, Grazer Kunstverein, Austria (2013); The Parliament, ‘Archive of Disobedience’, Castello di Rivoli, Turin (2013); Surrounded by the Uninhabitable, SALT Istanbul (2012).