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Nina Edge sheds a little light on what made Bluecoat so important to her, and explains how it enables potential.
I met with two of the most influential members of those projects last week, to talk about their new collaboration, Coming Home.
You’d be robbing yourself of the history surrounding the Biennial venues if you didn’t walk down Kelvin Grove for Nina Edge’s Contravision.
The second of the Heseltine Institute Seminars. Jayne Lawless' & Janet Brandon's film raised more questions than it could possibly answer, but tried its hardest to answer them through a tirade of questions that even the most ardent city planner would struggle to resolve.