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The overall command of this project has led to an inspiring interdisciplinary study of a very modern issue.
Art in Liverpool’s highlights and a suggested tour of how to get around them in one day. And while I’m aiming to tell you about public spaces, one or two other things might slip in, like the Oratory, which do, strictly, have a roof on their heads.
Krzysztof Wodiczko: How can technology, specifically prosthetic technology, help our modern understanding immigration and displacement?
The Oratory: Liverpool Biennial 2016 The Oratory Words by Patrick Kirk-Smith The Oratory, is probably best known as the little building outside the Anglican Cathedral, and second...
DEADLINE: 4th August 2016
Software plays an increasing role in our lives, but the line between lived reality and that presented to us by lines of code is increasingly difficult to define.
This was a home once, and it still feels like that takes precedent over its current status as a gallery. That’s no bad thing, not at all. Arseny Zhilyaev has responded to the architecture of the space – in both rooms – as delicately as you would in your own living room.
In terms of the Biennial's episodic structure we are dealing here with a Flashback, this collection is resolutely forward facing.
Established in 1949 and with a continually committed presence in Liverpool since 1996, the Bloomberg New Contemporaries annual exhibition of recent art graduates is a cornerstone of the local culture and its relevance and importance is hard to overstate.
Rita McBride’s large scale installation represents an opening between the real world and the world of fiction. Entering the unilluminated location of the piece with its sonic reverberations
Liverpool Biennial 2016, Ancient Greece Tate Liverpool, Saturday 9 July 2016 – 16 October 2016 Words and pictures by Moira Leonard Step back in time as Tate...
Marvin Gaye Chetwynd has created a new work with and for children. Inspired by Betty Boop - ‘A Song a Day’ (1936) and Bertolt Brecht’s ‘The Threepenny Opera’ (1928), the film has been developed collaboratively with 78 young people from across Liverpool
Every two years I get to explore a city space in a new way, and this year the ABC Cinema on the corner of Lime Street is a highlight. How many times have I walked past this building and never given it a second thought?
What Open Eye continue to show their visitors, is that photography is much more than a photograph, it is the ability to capture something. What they prove, repeatedly, is that the best photography is made by those who seek to explore their own existence, and the reasoned existence of their careers.
Liverpool Biennial has always been part of something bigger than itself, and wider than art but not until this year did I realise how many parallels there were between modern politics and art at this level.
Forty-four artists, twenty-two sites, six episodes and eleven dedicated curators present the ninth Liverpool Biennial opening this Saturday announced the Biennial Director Sally Tallant at the opening conference in Tate Liverpool.
Split into episodes and scattered around Liverpool, this installment of Liverpool Biennial has so far proven to be almost impossible to sum up. Tony Know shares his excellent photographs of the first day of this exciting project, ready just in time for minds to made up and plans to be made. Liverpool Biennial 2016 opens tomorrow (July 9th) so be sure to get your thinking hat on, read our numerous reviews and previews, and find the exhibition to kick off your Biennial.
“It’s not really about me, it’s about how we can organise things” – Koki Tanaka, on his approach to Liverpool Biennial 2016 Art in Liverpool are incredibly excited to bring you this interview with Biennial Artist, Koki Tanaka.