frieze The Biennial continues to

frieze The Biennial continues to be mentioned in the art media around the world which is good, although often its just to have a dig at Yoko Ono. In the last paragraph of this article, Frieze associate editor Dan Fox, states that many of the works on display were commissioned with the brief that they must be ‘about’ Liverpool. This is not strictly true. In fact, curators from around the world were invited to research Liverpool as the context for an exhibition, and then recommend the practice of artists that would have some ‘resonance’ with this context. Not quite the same thing is it.