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Review: Euphonia: Emma Smith at Bluecoat

Euphonia: Emma Smith at Bluecoat until 24th June 2018 Words, Joanie Magill Standing at the threshold of the gallery space at Bluecoat before stepping into Emma Smith’s...

Review: FRANKENSTEIN 2018, The Liverpool & Knowsley Book Art Exhibition  

FRANKENSTEIN 2018, The Liverpool & Knowsley Book Art Exhibition   Words and photographs by Moira Leonard Frankenstein 2018 is a completely wonderful, delicate, beautiful exhibition, housed...

Measuring Your Contemporary Conditions: An Interview with Taus Makhacheva

Measuring Your Contemporary Conditions: An Interview with Taus Makhacheva Interview by Joanie Magill Ahead of her commission for Liverpool Biennial 2018, Taus Makhacheva talks about the...

Review: TIME TUNNEL, Launch of the Fabric District Vision 2018

REVIEW TIME TUNNEL, Launch of the Fabric District Vision 2018 Words and photographs by Moira Leonard The new ‘Fabric District’, Liverpool L3, was officially launched last weekend...

Edgelands: Emilie Taylor at the Williamson

The funny thing about Edgelands is that when you’re in them, you don’t really notice. Emilie Taylor’s experience is more reflective than my own, but...

Rapid Response Unit, giving artists control of the news

Rapid Response Unit, giving artists control of the news The mind of an artist and the mind of a journalist are surprisingly similar things. Both...

Featured Artist: Marilyn Tippet, book artist

Featured Artist: Marilyn Tippet In 2015 there was an email circulated between local artists, asking us to head to a meeting at Liverpool Central Library...

Review: It Will Never Work: 25 Years of Urban Splash

It Will Never Work: 25 Years of Urban Splash at RIBA North, until 16th June 2018 Words, Patrick Kirk-Smith “It would never have worked without all Urban Splash...

Review: Euphonia: Emma Smith at Bluecoat

Euphonia: Emma Smith at Bluecoat until 24th June 2018 Words, Joanie Magill Standing at the threshold of the gallery space at Bluecoat before stepping into Emma Smith’s...

Review: FRANKENSTEIN 2018, The Liverpool & Knowsley Book Art Exhibition  

FRANKENSTEIN 2018, The Liverpool & Knowsley Book Art Exhibition   Words and photographs by Moira Leonard Frankenstein 2018 is a completely wonderful, delicate, beautiful exhibition, housed...

Review: TIME TUNNEL, Launch of the Fabric District Vision 2018

REVIEW TIME TUNNEL, Launch of the Fabric District Vision 2018 Words and photographs by Moira Leonard The new ‘Fabric District’, Liverpool L3, was officially launched last weekend...

Edgelands: Emilie Taylor at the Williamson

The funny thing about Edgelands is that when you’re in them, you don’t really notice. Emilie Taylor’s experience is more reflective than my own, but...

Rapid Response Unit, giving artists control of the news

Rapid Response Unit, giving artists control of the news The mind of an artist and the mind of a journalist are surprisingly similar things. Both...

Review: It Will Never Work: 25 Years of Urban Splash

It Will Never Work: 25 Years of Urban Splash at RIBA North, until 16th June 2018 Words, Patrick Kirk-Smith “It would never have worked without all Urban Splash...

Review: Caroline Coon: The Great Offender

Caroline Coon: The Great Offender, The Gallery, until 27th May Words & Pictures, Julia Johnson (Messy Lines) Caroline Coon’s first ever solo exhibition makes its statement...

Review: Mellor & Rose, Modern Calligraphy

Calligraphy has been taking over everyone’s branding – You can’t go into a restaurant without seeing it plastered on menus, windows or chalkboards. Experts up...

Measuring Your Contemporary Conditions: An Interview with Taus Makhacheva

Measuring Your Contemporary Conditions: An Interview with Taus Makhacheva Interview by Joanie Magill Ahead of her commission for Liverpool Biennial 2018, Taus Makhacheva talks about the...

Featured Artist: Marilyn Tippet, book artist

Featured Artist: Marilyn Tippet In 2015 there was an email circulated between local artists, asking us to head to a meeting at Liverpool Central Library...

Guest publication: Messy Lines: Why I Write

Guest publication: Messy Lines: Why I Write Why should we care about art?  To us readers of and contributors to an art magazine, the answer to...
unfold by Ryoichi Kurokawa, at FACT, 2016. Photo by Brian Slater - fact at 15

(P)review: Fact at 15

FACT at 15 on the building, it's history and its director FACT opened its doors in 2003, and in the fifteen years since has solidly cemented...

Featured Artist: Emma Smith, Euphonia

Featured Artist: Emma Smith: Euphonia at Bluecoat, 27th April – 24th June 2018 Bluecoat has long been a gallery which has paved the way for more...

Feature: Ken’s show, in Ken’s words

Ken’s show, in Ken’s words Tate Liverpool are celebrating turning 30 with an exhibition by their longest serving member of staff, Ken Simon’s. The exhibition...

Why do you share photographs? (Snapshot to WeChat)

Why do you share photographs? (Snapshot to WeChat) Ahead of Open Eye Gallery’s next major exhibition, exploring identity and networks and the influence social media...

Interview with The Serving Library’s Stuart Bertolotti-Bailey for Art in Liverpool

If you are looking for a quick read, try the shortened version of events here. The interview that follows is with Stuart Bertolotti-Bailey no behalf...

Why #writecritical?

Words by Sue Flowers Much has been written about the visual arts over the last few centuries, maybe as a way of defining it, by attempting...

REALITY at the Walker Proves Painting is Still Relevant

Words by Alice Benbow Reality: - the status of things as they actually exist, as opposed to an idealistic or notional idea of them; having...
Double Act: Art and Comedy, Belfast

Double Act: Art and Comedy at the MAC, Belfast

I hopped on a plane to Belfast to visit Double Act: Art and Comedy. The exhibition, curated by David Campbell and Mark Durden, is twinned with an exhibition of the same name at Bluecoat. It shows a different story entirely to the one I visited on School Lane, Liverpool.

Season’s Greetings and some notices from ArtinLiverpool

We wish you all a Merry Christmas and a Wonderful Arty New Year.
Daily Sketcher

Interview with The (Still Anonymous) Daily Sketcher

"The idea of the project has always been to try bring a little cheerfulness into the world. I have found that more and more we're isolated in society and just wanted to try create a thread of happiness within it."

6GINS Exhibition #3 with paintings by Rose Wylie

GIN3 includes a piece by James Worley 'What Else Aint They Tellin' an animation 'Yukio' by Michelle Pang and paintings by the winner of the John Moores Painting Prize 2014, Rose Wylie.

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