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Conversations with Independents Biennial artists: Danielle Waine

Interview by Joanie Magill, Independents Biennial Writer-in-Residence Images, Danielle Waine Danielle Waine graduated at the beginning of summer. As her degree show was opening, she was...

Conversations with Independents Biennial artists: Ali Harwood

Conversations with Independents Biennial artists: Ali Harwood Interview by Joanie Magill Tunstall Street is one of a number of streets in Wavertree which was designated for...

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madhia Aijaz

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madhia Aijaz One of Liverpool Biennial’s loudest, and aptly, quietest, statements about globalism and the impact of individualism...

How Liverpool’s Metropolotian Cathedral grew new limbs. Ryan Gander’s Liverpool Biennial...

How Liverpool’s Metropolotian Cathedral grew new limbs. Ryan Gander’s Liverpool Biennial commission Time Moves Quickly, the message from Ryan Gander to Liverpool. On the platform outside...

Review: Haegue Yang’s surreal escape at Tate Liverpool

Haegue Yang’s surreal escape at Tate Liverpool Words, Patrick Kirk-Smith On my way in to Tate Exchange to visit our writers-in-residence this month I stumbled across...

Mersey or Huangpu? Liverpool or Shanghai? Chapter Two of China Dream

Words, Ian Fallace Shanghai has been twinned with Liverpool since 1999 and in the interim there has been a building of cultural links between the...

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista Interview by Joanie Magill, Independents Biennial Writer-in-Residence On 11 August, Sylvia Battista performed Persephone, a spoken...

Conversations with Independents Biennial artists: Faith Bebbington

Conversations with Independents Biennial artists: Faith Bebbington Interview by Joanie Magill, Independents Biennial Writer-in-Residence “I want my work to be outside on the street.” Faith Bebbington’s large...

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madhia Aijaz

Liverpool Biennial’s strongest card? Open Eye Gallery’s Madhia Aijaz One of Liverpool Biennial’s loudest, and aptly, quietest, statements about globalism and the impact of individualism...

How Liverpool’s Metropolotian Cathedral grew new limbs. Ryan Gander’s Liverpool Biennial...

How Liverpool’s Metropolotian Cathedral grew new limbs. Ryan Gander’s Liverpool Biennial commission Time Moves Quickly, the message from Ryan Gander to Liverpool. On the platform outside...

Review: Haegue Yang’s surreal escape at Tate Liverpool

Haegue Yang’s surreal escape at Tate Liverpool Words, Patrick Kirk-Smith On my way in to Tate Exchange to visit our writers-in-residence this month I stumbled across...

Mersey or Huangpu? Liverpool or Shanghai? Chapter Two of China Dream

Words, Ian Fallace Shanghai has been twinned with Liverpool since 1999 and in the interim there has been a building of cultural links between the...

Review: Sean Scully at Walker Art Gallery

Review: Sean Scully at Walker Art Gallery Words, Ian Fallace “The stripe can do anything in any direction and since it is so common, it corresponds...

Review: New Brighton Revisited – Martin Parr, Ken Grant, Tom Wood

Review: New Brighton revisited Words, Kathy Wainwright A room with a view, and not just of the ever popular beach. The Sailing School at Marine Point...

George Henry Lee’s: A note on getting to know a gem

Over the last few weeks, I’ve come to love this building. I don’t know if I did before, certainly not beyond its beauty. My own...

Review: Sefton Open 2018

Sefton Open 2018 The Atkinson, Galleries, Southport 28th July – 27th August 2018 Words, Samantha Browne The Sefton Open 2018 proves once again that artistic talent in Merseyside...

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista

Conversations with Independents Biennial artists: Angelo Madonna and Sylvia Battista Interview by Joanie Magill, Independents Biennial Writer-in-Residence On 11 August, Sylvia Battista performed Persephone, a spoken...

Conversations with Independents Biennial artists: Faith Bebbington

Conversations with Independents Biennial artists: Faith Bebbington Interview by Joanie Magill, Independents Biennial Writer-in-Residence “I want my work to be outside on the street.” Faith Bebbington’s large...

Conversations with Independents Biennial artists: Stephanie Carr

Conversations with Independents Biennial artists: Stephanie Carr Interview by Joanie Magill, Independents Biennial Writer-in-Residence  Stephanie Carr’s exhibition, on the top floor of George Henry Lees former...

Featured Artist: John Moores Painting Prize artist, Pete Clarke

John Moores Painting Prize artist, Pete Clarke on finding the right place to work, and the right artists to work with Getting Longlisted for the John...

Building new futures: Liverpool Biennial artist Mae-ling Lokko

Building new futures: On Liverpool Biennial artist Mae-ling Lokko, and her pursuit of an answer to a global question Mae-ling Lokko, one of the headline...

Feature: “Photie-Man” How Tom Wood made a name for himself

“Photie-Man” How Tom Wood made a name for himself There’s something about the Wirral peninsula that must burrow deep inside the minds of artists who live...

Why do you share photographs? (Snapshot to WeChat)

Why do you share photographs? (Snapshot to WeChat) Ahead of Open Eye Gallery’s next major exhibition, exploring identity and networks and the influence social media...

Interview with The Serving Library’s Stuart Bertolotti-Bailey for Art in Liverpool

If you are looking for a quick read, try the shortened version of events here. The interview that follows is with Stuart Bertolotti-Bailey no behalf...

Why #writecritical?

Words by Sue Flowers Much has been written about the visual arts over the last few centuries, maybe as a way of defining it, by attempting...

REALITY at the Walker Proves Painting is Still Relevant

Words by Alice Benbow Reality: - the status of things as they actually exist, as opposed to an idealistic or notional idea of them; having...
Double Act: Art and Comedy, Belfast

Double Act: Art and Comedy at the MAC, Belfast

I hopped on a plane to Belfast to visit Double Act: Art and Comedy. The exhibition, curated by David Campbell and Mark Durden, is twinned with an exhibition of the same name at Bluecoat. It shows a different story entirely to the one I visited on School Lane, Liverpool.

Season’s Greetings and some notices from ArtinLiverpool

We wish you all a Merry Christmas and a Wonderful Arty New Year.
Daily Sketcher

Interview with The (Still Anonymous) Daily Sketcher

"The idea of the project has always been to try bring a little cheerfulness into the world. I have found that more and more we're isolated in society and just wanted to try create a thread of happiness within it."

6GINS Exhibition #3 with paintings by Rose Wylie

GIN3 includes a piece by James Worley 'What Else Aint They Tellin' an animation 'Yukio' by Michelle Pang and paintings by the winner of the John Moores Painting Prize 2014, Rose Wylie.

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