FACT: Lesions in the Landscape by Shona Illingworth

Friday 18 September – Sunday 22 November 2015

Lesions in the Landscape by UK/Danish artist Shona Illingworth is a powerful new multi-screen installation, exploring the impact of amnesia and the erasure of individual and cultural memory.

Revealing the devastating effects of amnesia on one woman and the striking parallels with the sudden evacuation of the inhabitants of St Kilda in the North Atlantic in 1930, the work examines the profound effect and wider implications of memory loss on identity, space and the capacity to imagine the future.

In collaboration with neuropsychologists Martin A. Conway and Catherine Loveday, Illingworth has worked with and filmed Claire, who, following a trauma to her brain can no longer remember most of her past, create new memories or recognise anyone – not even herself. However the new sensory operated camera technology worn around her neck can help reactivate access to some of her ‘forgotten’ memories, in rare bursts of intense recollection. The sudden end to Claire’s access to her memories echoes the evacuation of the inhabitants of the remote Scottish archipelago of St Kilda on 29th August 1930, ending over 2,000 years of continuous habitation.

Lesions in the Landscape: Interview with Martin A. Conway and Catherine Loveday from FACT on Vimeo.

Both mark an abrupt and irreversible lesion in a cultural landscape. Accessing or reconstructing the past is a process fraught with difficulty and both share a sense of isolation. They are both now the subject of scientific inquiry, St Kilda as an outdoor laboratory for scientific investigation, a carefully preserved heritage site and a radar tracking station for complex military weapons testing, and Claire as the subject of major neuropsychological study. And in each case, the past is continually constructed by others.

For the project, Illingworth took Claire to St Kilda, where she filmed her in this intense landscape. The installation presents three video projections and an array of up to twenty loud speakers to create a fully immersive sound environment of voice, engineered and ambient sounds. They form a richly layered composition where the sounds of thousands of calling gannets is underscored by intermittent sounds of EEG signals which capture the desolate internal landscape of Claire’s amnesia as she struggles to search for her own memory of this environment.

An ongoing series of Amnesia Forums examine the politics of memory, amnesia and cultural erasure through discussion between invited artists, scientists, writers and researchers. This feeds directly into the Amnesia Museum, a growing body of works which map out the landscape of amnesia. It draws together film, photography, drawings and documents, and will be shown alongside the installation.

Also included is a 32-speaker sonification of Claire’s EEG, as well as neuropsychological diagrams describing the impact of the lesion on her memory.

After premiering at FACT, Lesions in the Landscape will tour to the UNSW Galleries, Sydney, Australia, Taigh Chearsabhagh Museum and Art Gallery, Outer Hebrides and finally to Dilston Grove & CGP Gallery in London.

An accompanying book will be published in autumn 2016.

This exhibition is produced by FACT and is supported by an Arts Award from the Wellcome Trust. With additional support from University of Kent.

 

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