Archive for the 'we play' Category

INTERFACE AMNESTY 2 – Call for Submissions

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INTERFACE AMNESTY 2 – How? Why? DIY!.

INTERFACE AMNESTY 2 @ AND FESTIVAL

OPEN CALL TO MAKERS/ARTISTS/MUSICIANS/COMPOSERS/DIY/TECH STARTUPS

OPEN CALL FOR MEDIA TECH and ALT. DEVICE SHOPKEEPS!

APRIL 10th 2010 12-5pm

BLACKBURN PENNINES LANCASHIRE, SHOPFRONT TBC…watch this space

SUBMISSION DEADLINE 26th MARCH 2010

Interface Amnesty is back at AND festival!

Like a sound tech gypsy wedding we don’t know our exact venue yet but we will be in a shopfront in Blackburn for AND festival for the last day of the festival. Unlike a gypsy wedding it wont be a beautiful opulent folk ceremony but instead a beautiful rough and ready tech-folk event championing a re-emergence of art and craft through technology much like how and why! You may well notice we share the same typeface; Richard White kindly hacked it for HowWhyDIY

DIY tech through youtube howto’s, tech startups, circuit bending, twitter hacks, Processing programming, arduinos, muios, MAKE magazine and hackspace culture are making an impact on how we make art media and music.

Interface Amnesty is a temporary shopfront for people making and hacking their own interfaces and devices to make art and music!

So come along contribute, get a table show off your device or just meet the makers and play

Email amnesty (at) soundnetwork.org.uk or use this ning with your ideas for presenting your devices. Each participant gets a table and power to present their work informally to the public, must have a hands on element!

DEADLINE FOR SUBMISSIONS 26th MARCH 2010

Have a look at last year’s event here
http://fact.tv/videos/watch/715

And check it out in the brand new awesome AND Festival programme

AND Festival 2010 Programme now Online

CloudProjectNot in Liverpool this year but not too far away in parts of Lancashire and Cumbria. I like the look of that Cloud Project.

This spring join the AND festival on a digital journey across real and virtual worlds in Cumbria, Lancashire and online, as we abandon the city and head for the hills.

Expect strange playful and radical interventions across the Northwest’s stunning landscape as a host of artists, scientists and designers map the region and challenge us to question our relationship with nature and technology, food and health, work and play.

AND creates a space where artists can offer striking new perspectives and visitors can interact with ideas, discussions and experimentation.

Join us in abandoning your normal devices!

This second edition of AND is presented by folly in association with FACT (Foundation of Art and Creative Technology) and Cornerhouse.

Full programme details at www.andfestival.org.uk

Lakes Alive 2010 Programme Announced

Spectacular outdoor arts events set to bring Cumbria alive

One of Britain’s biggest and most innovative seasons of outdoor arts events will take place across Cumbria again this spring and summer, set against the county’s beautiful and varied landscape and heritage.

This year’s Lakes Alive programme of events will run from 29 April to 5 September 2010.  It is Cumbria’s unique contribution to the Legacy Trust UK programme, which was set up to help build a lasting cultural and sporting legacy from the 2012 Olympic Games and Paralympic Games.

The mainly free shows will include modern circus, dramatic outdoor theatre, contemporary dance and exciting, fiery processions.

Continue reading ‘Lakes Alive 2010 Programme Announced’

AND: Call For Filmmakers: Archive Residency

Abandon Normal Devices has hooked up with the North West Film Archive to present a new project, Gleaners. We are offering two filmmakers an opportunity to spend a month each within the archive, exploring the collection and creating a new work.

Each filmmaker will be matched with a band/musician who will create the film’s soundtrack. The two resulting films will be showcased in a series of live events across the Northwest, starting with Abandon Normal Devices in Manchester in October 2010, with the musicians accompanying the screenings with a live soundtrack.

This project has been enabled by Northwest Vision and Media and the UK Film Council’s Digital Film Archive Fund supported by the National Lottery.

The deadline for application is 6pm on Friday 5th February 2010.

Full details

Commission opportunities for New Cultural Journeys

journies

New Cultural Journeys is an ambitious youth led culture and sport participation programme for Lancashire and the Fylde Coast that is part of WE PLAY, the North West cultural legacy programme for the London 2012 Olympic and Paralympic Games.

The theme of the programme is Routes and Trails, making new connections between people and places, sport and arts and physical and virtual worlds in the lead up to 2012.

Working with young producers from across the region we are seeking to commission 5 creative projects along the theme of Routes and Trails. We are looking for ideas that will excite, surprise and engage residents and visitors to Lancashire and the Fylde Coast, creating opportunities for people of all ages to take part in voyages of discovery both outdoor and online.

Fees for each commission are in the range of 5 -10K with the opportunity of further future investment for the most successful and innovative ideas.

We are inviting applications from artists, designers, technologists, creative and sporting organisations. Collaborative proposals that cross fertilise creativity, technology, and sport are encouraged.

Regional, national and international applications welcome.

For a full brief, including information about the individual commissions and how to apply, please email: sara.domville@lancashire.gov.uk

The closing date for proposals is 29th January 2010

AND Festival – Films

mary-and-maxThe main focus of the Abandon Normal Devices Festival is film. It is, after all, the festival of New Cinema and Digital Culture.

We don’t often go to the Cinema, even struggling to use up our free ticket allocation that FACT membership entitles us to.

But we did manage to see a few during the festival and Mary and Max was the highlight for me. Its a brilliant feature length stop-motion animation by Adam Elliot who won an Oscar for Harvie Krumpet. Its funny, dark humour, poignant and beautifully executed. For some reason it doesn’t seem to be on general release but if you get a chance to see it then do.

Spanning 20 years and 2 continents, MARY AND MAX tells of a pen-pal relationship between two very different people: Mary Dinkle a chubby, lonely 8-year-old living in the suburbs of Melbourne, Australia; and Max Horovitz a severely obese, 44-year-old Jewish man with Asperger’s Syndrome living in the
chaos of New York City.  It takes us on a journey that explores friendship, autism, taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual differences, trust, copulating dogs, religious differences, agoraphobia and many more of life’s surprises.

We also saw ‘Action Diana‘. In fact, we both appeared in it briefly along with a few hundred other local non-actors so I was surprised there weren’t more of the participants at the viewing.

It was interesting as although The Centre of Attention recreated the scenes form an original film, I still have no idea what it was about. It was more a series of sketches shot in unusual ways. Sometimes the film was over-exposed or over-saturated and the part-time actors clearly unaware of the whole plot. Quite an experiment and very much abandoning normal devices.

The AND Festival finished in party atmosphere on Sunday, so appropriate then that the final event was a screening at the Philharmonic Hall of ‘All Tomorrow’s Parties‘.  Maybe if I was younger I’d go to the actual event one year but now I’m happy enough to see clips on the big screen.

All Tomorrow’s Parties is a groundbreaking music festival that has taken place in an out of season holiday camp for the past ten years, with an innovative mix of live bands, chalet camping and crazy golf. A collaboration between innovative digital filmmaker Jonathan Caouette (Tarnation) and the campers themselves, this collage film uses footage shot by fans and musicians, sewn together into an energetic paean to a festival that truly rocks. Includes performances by Belle and Sebastian, Grinderman, Portishead and the Yeah Yeah Yeahs.

AND Festival – Portable Pixel Playground

Glowing Pathfinder Bugs from squidie on Vimeo.

This video is from the PPP website and shows a previous event but it was just the same in the Arthouse Square behind FACT today. I think its really aimed at children but the adults like me are just as excited by it. It was only here for today but will probably re-appear from time to time in the region. I hope so.

Family fun in Arthouse Square! Portable Pixel Playground is a unique digital art playground consisting of new artists’ commissions including squidsoup, Andy Best & Merja Puustinen. A bit like an adventure playground, a bit like a work of art, and a bit like a computer game, the playground has been designed to allow young people (and inquisitive adults!) to use everyday technologies in fun and creative ways, providing them with new, interactive and hands-on experiences of art and technology.

Portable Pixel Playground is brought to you by folly and is funded until 2010 by Big Lottery Fund’s Playful Ideas programme.

www.portablepixelplayground.org

AND Festival – DJ Spooky ‘Rebirth of a Nation’

DJ Spooky at St George's Hall

DJ Spooky at St George's Hall

Enjoyed the performance by DJ Spooky at St George’s Hall last night. He gave a brief introduction, explaining that the original Birth of a Nation film was essentially a KKK propoganda silent movie made in 1915. For the performance he does live editing across three screens and music. I don’t go to many DJ events but I was really engrossed in this, the music was good and I think I learned a bit more about US history too.

Nearly 100 years after DW Griffith’s epic Birth of a Nation was released, DJ Spooky (aka Paul D Miller) has applied a “DJ mix” to one of the most revered and reviled films ever made. Miller’s reading of the overt racism depicted in a Reconstruction-era South hurtles Griffith’s images into the 21st Century, a socio-political landscape that has evolved beyond all expectations. Using cinematic history as the starting point for critique, not only of a horrifying past, but for a new vision that interrogates what we think of multi-culturalism, in a world that is rapidly becoming Americanised.

Rebirth of a Nation