Monthly Archive for December, 2007

CUTS – Workshops and Drop-In Sessions 2008

With weekly drop in sessions and Saturday Skills workshops, You’re sure to find something to suit your interests

Maximum Studio Capacity 5 persons, to check availability call Beccy Williams on 07904 08 96 08, or email cuts.liverpool@yahoo.co.uk. 10% Discount for TAO Members and C.U.T.S Certificate Holders.

Weekly drop-in Sessions (for Saturday Skills Workshops see below) C.U.T.S reopens along wth Mello Mello the week commencing 7th of January 2008:

Monday evenings 6-9pm; Open Session.

£5.00/ £4.50

Tuesday evenings 6-9pm; Garment-making with Luisa D’Arte.

£7.50/£5.75

Wednesday evenings 6-9pm; Screen printing with Steve Gent.

£7.50/£5.75

Thursday evenings 6-9pm; textile Furnishing with Beccy Williams.

£7.50/£5.75

Friday Evenings 6-9pm; Open Session. £5.00/ £4.50

(10% Discount for TAO Members and C.U.T.S Certificate Holders)

Saturday Skills Workshops 2008:

January 12th: Bag-making Workshop with Beccy Williams.Make your own Tote-Style Shopping bag.1-6pm. £15.

January 19th: Dissolving Fabric Workshop with Beccy Williams. Make your own distinctive jewellery or decorative vessel using free-machine embroidery. 1-6pm, £15.

January 26th:Fix it, Don’t bin it! with Beccy Williams. Simple techniques for repairing and altering clothes and soft furnishings. Bring your own clothes for repair . 1-6pm. £15.

February 2nd: Textile Image-making with Beccy Williams. Applique and free-machine embroidery techniques to recycle fabric scraps into framed artworks. 1-6pm. £15

Further Saturday Skills workshops to be confirmed……

email:
cuts.liverpool@yahoo.co.uk
web:
http://cuts.liverpool.googlepages.com/workshopsanddropinsessionsfor2008

Liverpool From The Air – book review

By Stuart Ian Burns

In 2007, Liverpool celebrated its 800th birthday and for the first time, in the shape of the book, Liverpool: From The Air its citizens had a chance to see it from above, warts and all. Based, as most things these days seem to be on a website, webbaviation.co.uk this is ‘simply’ pages and pages of aerial photographs of the city and the surrounding area with short explanations and factoids describing each of the different landmarks. Those of us who live in tower blocks might live with this impression of the city from the sky, but even we get to see parts of the city we could only dream of.

What makes the endeavour special is that it captures the city in one of its moments of transition. Many of the pages feature parts of the city in the grip of building work, shifting from one pattern to another. The shot of the Paradise or Liverpool One Project shows a whole new neighbourhood in construction and there’s also a fascinating image of Beetham Tower, one of the new buildings on the skyline nearing completion and its these sights which will prove most revealing in years to come, just as the faded images of an unfinished Liverpool Cathedral are now.

But there’s also the chance to see familiar streets from another angle, how the structure of the place, usually so abstract from street experience fits together. Clearly such things are also possible online through Google Earth yet there is something arresting about being able to move the eye down Ranleigh Street, up shadowing Church Street then the newly constructed parts of Hanover Street in seconds and through a relief angle that favour aesthetics rather than information. At Google, buildings often simply become rooftops; here you can recognise what those buildings actually are.

Particularly interesting are the images of places less accessible to the public, such as the docks and estuary. Liverpool it transpires is still an important harbour carrying most of the bulk cargos heading from the UK to North America and there are shots of the containers being shifted too and from the portside and of ships thundering up and down the Mersey. Sporting venues are also served well, with both Aintree racecourse and the Royal Liverpool Golf Course in Hoylake somehow somehow fitted into a single frame. Some might wonder though why Anfield is favoured with two photographs and Goodison Park only one – that said, the picture of Everton’s ground is far larger, so that’s ok then.

Essentially you come away with the impression that Liverpool is an architectural patchwork with neo-classical, Edwardian, Victorian and Modernist styles glancing at each other across streets. It can be rather single minded if it wants to be though; the suburban space between the two football grounds is filled with uniform housing broken here and there were local development as led to the demolition of terraces in favour of the twisty semi-detached, in fictional terms Bread’s Kelsall Street replaced by Brookside Close.

About the only potential disappointment is that my own home isn’t there, despite being on the edge of Sefton Park; the park is included except we’ve been cut from the very edge of the composition. That’s more than made up in being able to see the likes of Lime Street Station, the place that’s delivered me home on so many occasions from the sky. The roof has a slight curve. Why haven’t I ever noticed that before?

Blogger Survives Ice Skating

skating.jpg

We went ice skating at St George’s Hall on Friday and though my legs are still aching a bit at least I can proudly state that I didn’t fall over once. That’s probably because I didn’t actually attempt to skate, I just concentrated on staying on my boots and slowly made my way around the perimeter a few times.
Likewise, Mrs J managed to stay upright but she was disappointed as she has skated a lot in the past but couldn’t get used to this synthetic surface, there’s no friction so no way to push forward. It requires a whole different method.
So, one view would be that its a waste of £6 to nervously wobble around a plastic floor for half an hour but on the other hand it was fun, a nice atmosphere with all the families around and finally I can say that I have been ice-skating (sort of).

Ice Skating at St George’s Hall until January 5 2008.

Dollman’s Friendship Train New Year Disco

dollman-ny.jpg

Dollman’s Friendship Train New Year Disco
The Liffey Renshaw St., Liverpool.
31st December ‘07. 8.30 ’till 2.30.
Tickets in advance only: £10
Contact: dollmandisco@hotmail.com

Graphic Design/Image by: seankennyarts@yahoo.co.uk

DubAbuse & Defcon Gig on Dec 29 2007

Defcon_Dub_fliersmall.jpg

DubAbuse & Defcon present a rare chance to see The Rootsman of Third Eye Music featuring D.BO General plus DJ Bernie Conner & DJ Sonny
at
The Magnet
Saturday December 29 2007
21.00 – 02.00
£5.00 on the Door

The Philip Key Arts Awards

At the end of every year, Philip Key of the Daily Post unveils his annual awards for the arts.
His award for best exhibition this year goes to Anthony Brown’s ‘100 Heads – Thinking as One

Despite the Turner Prize coming to town, the most amazing exhibition of the year was Merseyside artist Anthony Brown’s 100 Heads at various venues. He created 100 large-scale portraits of Liverpool people, known and unknown, and incorporated personal memorabilia.

I wouldn’t like the job of having to choose the ‘best’ but this is certainly a good exhibition and it continues at the Post & Echo building until January 4 2008

The Year The Turner Came to Town

Every December over at Feeling Listless, Stuart Ian Burns invites fellow bloggers to submit an article. There’s usually a theme and this year’s was ‘Home’ – writing about something significant which happened in your hometown over the past year. I eventually submitted mine a few days ago and here’s a copy of it…

Of course, Liverpool is a fantastically cultural city all the time, we don’t need Governments or EU commissions to tell us we are allowed to be a Capital of Culture for one year then revert to normal. But having this award has meant that we have even more organisations and people wanting to be a part of the action even before 2008 starts. So the Liverpool Biennial have had more money to spend on great public artworks such as Antony Gormley’s Another Place and Richard Wilson’s Turning the Place Over.

We even had the Royal Variety Performance held at the Liverpool Empire, so the poor Queen and Mr Queen had to travel up to Lime St. to endure, I mean enjoy, the best of variety entertainment. The really big thing though was the first non-London Turner Prize for art which this year was held at Tate Liverpool. This was seen as a major coup for the city but in hindsight maybe the hype was a bit overdone. The Tate couldn’t quite bring itself to totally deny Londoners their annual ration of Turner artists so they had a massive retrospective of past winners at Tate Britain.

When the shortlist was announced in May the cameras were there but only so all the journalists and art critics could watch the announcement live without bothering to travel up north. It was a bit embarrassing to be honest as the judges had to wait for a member of staff to write down the questions being phoned in from London and then read them out. Then the shortlist itself and the works the artists were nominated for sounded all a bit serious, political and safe. Yes, all good artists and good works but nothing that was likely to make people all over the nation think ‘Oh yes, must travel to Liverpool to catch that show’

Then the exhibition opened in October and again many people were underwhelmed and unexcited. It was almost as if even the artists thought ‘Well, its only Liverpool and Wallinger is going to win anyway so I’ll just do something quick’ Mark Wallinger’s own entry for this exhibition was his Sleeper video. So I imagined him sitting at home thinking ‘Well its only Liverpool and I’m bound to win anyway for my State Britain piece, so, lets see, I could just post off this video I shot in 2004 for the 05 Venice Biennale. Yep. Job done.’ I’m joking of course, I know the artists wouldn’t think that way but the show did have that sort of feel about it.

The national press did post the required reportage but with little enthusiasm and national TV, even programs such as Newsnight review and the Culture Show who are often scraping the bottom of the barrel to find a cultural event of interest to talk about, steadfastly ignored Liverpool. The evening of the awards came in December and as expected Wallinger won. Channel 4 reported the event live. In some years past the Turner merited an hour or half hour long program. This year it was going to be the 5 minutes following the end of Channel 4 News, then it was to be the last 5 minutes of the news then it was going to be in the middle.

So, of course, we all had to watch the whole news program just to see the very brief announcement (at 19.45). There was also a report about the prize at 19.30 which included a brief shot of me and my wife, Minako. We were not invited to the awards as we are not celeb enough but this shot was taken at the press viewing in October. Ok, having said all that, it was actually a good exhibition. I’m glad it was here and I’m glad I saw it (several times). Maybe its more of a problem with the Turner Prize itself, many think its had its day, time to come up with something new.

Fortunately the good people at Tate Liverpool have been here long enough to realise that you have to add a bit of fun and flair if its happening in this city and so they planted a big black Taxi cab alongside the show with a video screen in the back showing filmed interviews of recent passengers talking about art. Many people thought this was the best thing, it should have won the prize.

Artwork of the Day – New Year Card

new_year_partygame.jpg

Liverpool artwork of the day – Thursday December 27 2007. New Year card featuring a party game. 1870-80 in National Museums Liverpool collection

Still time to send out an e-card from NML’s collection, either belated Christmas card or even a New Year’s card like this one.

This card is from the Decorative Art collection at National Museums Liverpool

Text on card reads:
‘A HAPPY NEW YEAR’
Dated:
this is in an English scrapbook from 1870 – 1880

NML Festive e-cards