Monthly Archive for January, 2007

Artwork of the Day – Giovanni Segantini

segantini.jpg

Liverpool artwork of the day – Wednesday January 31 2007. ‘The Punishment of Lust’ 1891 by Giovanni Segantini (1858 – 1899) at The Walker

One of my favourites from the Walker. I have visited the gallery hundreds of times in past 2-3 years and about 80% of the time I just go straight up the stairs and across to the new exhibition rooms to see the latest show.

As I pass through those first 2 rooms sometimes I think how great it is to have all ‘this old stuff’ as I call it, here. Other times I wish I didn’t have to pass all this old stuff when I’m desperate to get to the new stuff.

But I never fail to spot this picture, brightening up the corner of the first room at eye level, its been there as long as I can remember, I almost give it a nod of hello as I dash past, its like an old friend.
Don’t know what happened to this photo of it though, perhaps its been cleaned since this was taken, its a lot brighter and bluer than it looks here.

The punishment of lust’ belongs to a series of paintings produced
between 1891-96 on the theme of bad mothers (cattive madri). Segantini
was inspired by Nirvana, a poem written by the 12th century monk Luigi
Illica in imitation of the Indian text Panghiavahli. Illica’s poem
contained the phrase ‘la Mala Madre’ (the bad or wicked mother with an
echo similar to ‘la mala femmina’ or prostitute) to describe those
women who refused the responsibilities of motherhood.
               

The souls of the women are
depicted floating against a snowy background based on the Swiss Alps
where Segantini spent much of his life. The grandeur and spirituality
of the Alps was a constant inspiration to Segantini whose last words
before he died were: "I want to see my mountains".

In the painting the spirits
of the women are punished for having committed the sin of abortion
consciously or by neglect. Segantini had lost his mother when he was
seven years old and was probably passionate to represent the trauma of
the mother for the loss of her child. Segantini believed that a woman’s
role in life was motherhood and that a woman who objects to this was
mean, bad or selfish. His beliefs drew from both religious and
metaphysical ideas: the sanctity and motherhood of the Virgin Mary
combined with the fertility of nature.

LINK

Clipper 07-08 Competition

LIVERPOOL residents are being offered the chance to win an adventure on the high seas. The Liverpool Culture Company has launched a competition to find three crew members for the Clipper 07-08 Round the World Yacht Race – the world’s longest circumnavigation race – which will visit ports including South Africa, Hawaii and Singapore.

Three lucky winners will each secure a free place on board the Liverpool 08 Clipper on one of seven gruelling race legs. Clipper 07-08 sets off from Liverpool’s Albert Dock on September 16 2007 and returns to the city in summer 2008; right in the middle of Liverpool’s year as European Capital of Culture.

Potential applicants don’t even need any previous sailing experience, as full training will be provided.

This is the second time that Liverpool has offered free places on board the Liverpool 08 Clipper. Teacher Claire Daley, paramedic Peter Mulcahy, and smoking cessation advisor David Dowling all won their places on the 05-06 Clipper race through a previous competition.

Clipper is the world’s longest sailing race, circumnavigating the globe on a punishing 35,000 mile route, divided into seven legs. Each of the ten 68-foot yachts is crewed by amateurs and led by a professional skipper, making it unique in world yacht racing. The 07-08 race will be the sixth of its kind operated by Clipper Ventures, the company founded by Sir Robin Knox-Johnston who was the first person to sail solo around the world non-stop.

For the downloadable application Word doc form visit the Liverpool08 website .

DON’T DELAY – The competition will close 2nd February 2007

Auction for ‘Under The Mud’ Box Tickets

Ebay auction for a V.I.P Event!!!!

The Charity Gala Premiere of ‘Under the Mud‘ will take place on Friday 9th February 2006, at the Liverpool Philharmonic Hall.

Tickets, which are usually £5 each – are selling out fast. Hurricane Films the production company who made this exciting film have decided to auction off a box for this event on Ebay, with a fantastic starting price of £30.00!

To make a bid click on this link:

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=120081035669

or type this reference into the search engine on the Ebay website:

Item Number:  120081035669
or type in: Under the Mud

Ticket

Usually Boxes for an event such as this have a value of £150.00, so this is your chance to win an evening out for six people whilst mixing with the glitterati of the North and some of the brightest talent to come out of the region in years!

Shot in and around Speke and Garston, Liverpool – an area with high unemployment with one of the worst teenage pregnancy rates in Europe – the action takes place during a hectic twenty-four hours, and centres around the Potts household – second home to teenage slacker, Magic, who’s such a part of the furniture that his longing for the eccentric beauty Paula Potts goes completely un-noticed. It’s boy chases girl with a twist!

The film stars Andrew Schofield, Kate Fitzgerald and James McMartin  (star of recently released ‘Dead Men’s Cards’ ), as well as some of  the film’s young writers, most notably up and coming comic actor Lenny Wood in the lead role of  ‘Magic’

For more information visit
http://www.underthemud.com

Web Designers Needed for FACT Database

Apologies if my title is misleading. Its to be in FACT’s new database of talented webby people not to design the database.
From Mandy Tickle, FACT’s new Online Projects Manager…

FACT, the Foundation for Art & Creative Technology is the
UK’s leading organisation for the commissioning and presentation of
film, video and new media art forms. Founded in 1988 (then named
Moviola) FACT has commissioned and presented over 100 digital
media artworks with artists including Mark Wallinger, Barbara
Kruger,Tony Oursler and Isaac Julien. FACT exists to inspire and promote the artistic significance of film, video and new and emerging media.

FACT
believes in the ability of individuals and communities to express
themselves creatively and in the value of seeing themselves reflected
in the world around them. Therefore FACT is an organisation
working to champion new and emerging forms of creativity, engaging a
wider range of artists and others in the development of new and
emerging media forms.

As the new Online Projects Manager, I am
currently seeking to collate a database of emerging web talent to work
with on all future online projects. In order to be placed on the
database, you must be able to provide links or a show-reel along with a
CV and covering letter, which display your suitability for working with
FACT (http://www.fact.co.uk).

Moreover,
as well as established web professionals, we are also keen to work with
students or graduates who can demonstrate creativity and excellent
working knowledge of creating exciting, forward-thinking,
ground-breaking web sites.

Please send your examples or
show-reels, along with CV and covering letter, explaining why you think
you’d be suitable to work with FACT, to:

Mandy Tickle
Online Projects Manager
FACT
88 Wood Street
Liverpool, L1 4DQ

t: + 44 (0)151 707 4400
f: + 44 (0)151 707 4445

Pagan Festival at World Museum Liverpool

Its quiet week for talks and workshops at the Walker and Lady Lever galleries but my regular trawl of the What’s On pages has unearthed this workshop at the World Museum on Saturday.

I’d never heard of the pagan Spring festival Imbolc so had to turn to wikipedia ….

Imbolc is one of the four principal festivals of the Irish calendar, celebrated either at the beginning of February or at the first local signs of Spring. Originally dedicated to the goddess Brighid, in the Christian period it was adopted as St Brigid’s Day. In Scotland the festival is also known as Latha Fhèill Brìghde, in Ireland as Lá Fhéile Bríde, and in Wales as Gwyl Ffraed.

While in the Northern Hemisphere Imbolc is conventionally celebrated on 1 February, in the Southern hemisphere it is sometimes celebrated on the calendar date, but those who see it primarily as a celebration of spring may move it to 1 August.

Imbolc is traditionally a time of weather prognostication, and the old tradition of watching to see if serpents or badgers came from their winter dens is perhaps a precursor to Groundhog Day.

Saturday 3 and Sunday 4 February 2007

Imbolc Spring festival

Celebrate the coming of Spring with the pagan festival of Imbolc. Make your own corn dollies and window charms.

Suitable for all visitors
2 – 4pm,
World Museum Liverpool

Artwork of the Day – John Armleder

johnarmleder-1.jpgLiverpool artwork of the day – Tuesday January 30 2007. View of installation at Tate Liverpool by John Armleder.

I should go and have another look at this before it finishes on February 25 2007. I’ve no idea what its about but its fun. Maybe I should go along on Friday evening when the artist himself will be giving a talk.

Artist’s Talk: John Armleder
Friday 2 February, 2007
18.00 – 20.00
The Auditorium, Tate Liverpool
Tickets £6 / £5 (members)

Includes drinks afterwards
John Armleder’s playful and intriguing installation of trees, vegetation, stuffed animals, disco balls, faux log fires and televisions, together with jelly fish motif wallpaper and haunting background music has been in situ in the Wolfson Room at Tate Liverpool since December.

This Friday, Armleder will travel back to Liverpool to talk about this work in the context of his career to date. The artist will be in conversation with Professor Steven Gartside, Manchester Metropolitan University.
This event will also be the official launch of the new Postgraduate Module: Contemporary Curating at Tate Liverpool and will be followed by a reception.

John Armleder’s artwork traverses an impressive range of media – performance, painting, sculpture and installation. In addition to this, he is well known for his extensive work as a critic, curator and expeditionary.

All aspects of Armleder’s diverse career are characterized by a courageousness to take creative risks. In particular, Armleder aims to examine the context in which art is displayed, viewing the exhibition as a medium in its own right. He creates dialogues between disparate objects by placing them within an exhibition context, raising the question of possible equivalences that are created between them when viewed in such a setting.

Born in Geneva in 1948, Armleder studied at the Ecole des Beaux-Arts in Geneva from 1966 – 7 and at the Glamorgan summer School in the UK in 1969. He was heavily involved with the Fluxus group and his work continues to demonstrate the preoccupations of these groups by abandoning hierarchies of different artistic genres and objects. Armleder is currently based in Geneva.

http://tate.org.uk/liverpool/exhibitions/johnarmleder/

Artwork of the Day – Sarah Robinson and Sandie Henderson

Anatomy-Red-Blue.jpgLiverpool Artwork of the Day – Monday January 29 2007. Anatomy Red & Blue by Sandie Henderson from ‘A Faulty Dissection’ – Lithography and Sculpture by Sarah Robinson and Sandie Henderson At The Bridewell Studios Liverpool

Note: Although Sarah and Sandie work as a team for this exhibition, Anatomy Red & Blue is not a joint work. This piece is a Sandie Henderson work and was exhibited at the Atkinson Gallery’s Sefton Open 2006.

Open:

Saturday 27th of January to Saturday 24th February 2007

Wednesday to Saturday 12.00 – 17.00

Workshops:

Wednesday 28th of February 13.00 – 15.00. Collage for Adults

Saturday 3rd of March 14.00 – 16.00. Printmaking for Children

A Faulty Dissection is an exhibition of sculpture and lithography that seeks
to provide a contemporary interpretation on the classical theme of equine
anatomy. Produced with the precision and technical mastery demonstrated in
traditional scientific drawings, these works succeed in being more than just
illustration; they possess a delicate and visceral sensuality toward the
fragility of flesh and bones. Castration Irons by Sarah Robinson is
simultaneously beautiful but brutal in its depiction of a surgical
implement. Passive and attractive in its subtle rendering, it is only when
we understand the true use of the portrayed object, that we are confronted
by it’s ability to cause distress to living flesh. Inspired by George Stubbs
1766 publication “The Anatomy of the Horse,

New Museum of Liverpool gets £11 million Grant

MOL-PierHead.jpg
Image courtesy 3XN / UNIFORM

Great news, this will be a fantastic building in a great location. Shame it won’t open fully until 2010!

At the press conference there were a few items from the collection just to whet our appetites including this blue felt bedspread (below) from John Lennon and Yoko Ono’s Montreal ‘Bed-in for Peace’ in room 1742 of the Queen Elizabeth Hotel, Montreal in 1969. It was handmade by the local Montreal Hare Krishna Chapter and gifted to John and Yoko.

The Heritage Lottery Fund (HLF) has announced an earmarked grant of £11.4m* to support the fit out of the Museum of Liverpool. This news, which comes as work started on site this month with an archaeological project, means that Liverpool will soon have a new world class museum dedicated to telling the story of this incredible city. This brings the total funds raised to over £50 million.

The Museum of Liverpool, with a budget of £65m, will be one of the world’s leading city history museums reflecting Liverpool’s global significance through its unique geography, history and culture.

Building on the incredible success of the Museum of Liverpool Life, the new museum will draw on National Museums Liverpool’s vast wealth of collections, many of which have never been on public display. As a vital part of the legacy of 2008, when Liverpool becomes European Capital of Culture, it will express Liverpool’s confidence as a great 21st century European city.

John-Yoko-Montreal-Bed.jpgThe new national museum will be an exceptional learning and community resource as well as a high quality contemporary public building giving unprecedented access to over 10,000 objects from National Museums Liverpool’s collections. The family visitor attraction will provide 8,000 square metres of public space and will attract 750,000 visits a year.

Carole Souter, Director of the Heritage Lottery Fund, said: ‘The Museum of Liverpool will provide a particularly exciting new opportunity for people to learn more about the city and the significant role it plays in British and world history. We’re delighted to be able to support this ambitious project which will bring the city’s complex story to life, particularly as this year Liverpool is celebrating the 800th-anniversary of its founding charter.’

David Fleming, Director of National Museums Liverpool said: ‘The Heritage Lottery Fund earmarked grant means this new museum will be produced to the highest quality enabling an incredible array of objects and exhibits to go on display for the first time.
The museum, which will open in 2010, will attract people from far and wide, and will be a brilliant learning and recreational resource for the local community and visitors alike. Anyone interested in the history of this great city can look forward to a feast of displays and activities, and admission will be free of charge. I would like to thank the Heritage Lottery Fund and also extend my thanks to the many people who have shown support for the project, including our other funders.’

Content
The museum will focus on four main themes: Port City, Global City, People’s City and Creative City.

Port City will explore how Liverpool created its own success, transforming itself from a small tidal inlet into one of the world’s great ports. Key exhibits will include Lion, a 1838 steam locomotive which ran on the Liverpool – Manchester Railway and an original third class Overhead Railway carriage, suspended above the gallery at its working height.

Central to Global City will be The Liverpool Story, an unmissable show experience created by Liverpool film makers, writers and artists, using local voices to tell the rollercoaster story of Liverpool’s history.

People’s City will focus on the rich history of diversity in the city from the Stone Age settlers who left their imprints in the sand in Formby through to migrants and seafarers arriving to look for employment from all over the world. The gallery will include themes such as housing and health, opportunity and deprivation, social reform, religion and trade unionism and a key exhibit will be the model of the proposed Liverpool Catholic Cathedral by world-famous architect Edwin Lutyens.

Creative City will uncover the unique and creative character of Liverpool exploring why the city has produced such an amazing roll call of writers, performers, comedians and sportsmen. The gallery will include some unique Beatles objects, including the original stage on which John Lennon’s band, The Quarrymen, played in 1957. The story of the history of the Merseyside football clubs will explore how they have become such a cornerstone of the city’s identity and a special immersive experience in the gallery will capture the excitement, passion and intensity of the game through the fans’ eyes.

http://www.liverpoolmuseums.org.uk/mol/