Liverpool artwork of the week 2009-32. ‘The Bathers, Dieppe’, (1902) by Walter Sickert in ‘New Radicals: From Sickert to Freud‘ at The Walker, Liverpool 10 July – 20 September 2009
A nice picture to remind us that it is still Summer and this interesting show continues until the end of the season.
The exhibition is split into four sections, this is in the first part – ‘Groups and Gatherings’
Groups and Gatherings
London’s Royal Academy dictated British artistic taste throughout the 19th century. Reacting to its dominance and lack of experimentation, artists including Philip Wilson Steer and Walter Sickert founded groups and societies for exhibiting and debate.
Amongst them were the influential New English Art Club, formed in 1886, and the Fitzroy Street Group, 1907. They looked to French Impressionism for inspiration. From 1911, the Camden Town Group developed in response to two ground-breaking Post-Impressionist exhibitions that introduced artists like Gauguin, Van Gogh and Matisse to the London public.
By the First World War, the colours artists used and the way in which they painted with them started to undergo dramatic change. A number of the paintings here were acquired by Frank Lambert, the Walker Art Gallery’s Director from 1932-52. His purchasing cast aside the conservative taste of the previous decades, often in the face of local political opposition against anything ‘modern’. Harold Gilman’s ‘Mrs Mounter’ is considered his major purchase.
(Text from the Walker)